Thursday, April 12, 2012

Call for Papers - Journal of Critical Mixed Race Studies



Call for Papers - Inaugural Issue: Journal of Critical Mixed Race Studies
“Emerging Paradigms in Critical Mixed Race Studies”

The Journal of Critical Mixed Race Studies (JCMRS) is a peer-reviewed online journal dedicated to Critical Mixed Race Studies (CMRS). Launched in 2011, it is the first academic journal explicitly focused on Critical Mixed Race Studies. Sponsored by UC Santa Barbara's Sociology Department, JCMRS is hosted on the eScholarship Repository, which is part of the eScholarship initiative of the California Digital Library. JCMRS functions as an open-access forum for critical mixed race studies scholars and will be available without cost to anyone with access to the Internet.

JCMRS is transracial, transdisciplinary, and transnational in focus and emphasizes the critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions and constructions of race. JCMRS emphasizes the constructed nature and thus mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. JCMRS addresses local and global systemic injustices rooted in systems of racialization.

Some questions to consider:
·       Why Critical Mixed Race Studies rather than mixed ethnicity or mixed heritage?
·       How does CMRS transform Ethnic Studies?
·       What does CMRS mean in transnational contexts?
·       What are some ways that CMRS can be institutionalized?
·       How do foundational articles or books in CMRS resonate today?
·       How does CMRS relate to the Multiracial Movement or social activism around mixed heritage identities?
·       How does post-racial discourse factor into the development of CMRS?
·       How is CMRS transdisciplinary or interdisciplinary?

Papers that were presented at the Inaugural Critical Mixed Race Studies Conference in 2010 are invited for revision and submission. JCMRS encourages both established and emerging scholars to submit articles throughout the year. Articles will be considered for publication on the basis of their contributions to important and current discussions in mixed race studies, and their scholarly competence and originality.

Submission Deadline: July 1, 2012

Submission Guidelines: Article manuscripts should range between 15-30 double-spaced pages, Times New Roman 12-point font, including notes and works cited, must follow the Chicago Manual of Style, and include an abstract (not to exceed 250 words).

Visit our website for complete submission guidelines and to submit an article: http://escholarship.org/uc/ucsb_soc_jcmrs

Please address all inquiries to
: socjcmrs@soc.ucsb.edu


Founding Editors G. Reginald Daniel, Wei Ming Dariotis, Laura Kina, Maria P. P. Root, Paul Spickard


Sunday, March 25, 2012

Marketing to the "Melting Wok": How to Speak to Asians and Catch the “Fastest Growing Racial Group” in the U.S.


March 24, 2012 by Laura Kina

Marketing to the Melting Wok: How to Speak to Asians and Catch the Fastest Growing Racial Group in the U.S.


A Book Review (of sorts)


Asian spotting is a hard habit to kick. I counted 3 other Asian Americans at my 20-year high school reunion this past summer in my rural Pacific Northwest hometown of Poulsbo, WA (think Snow Falling on Cedars but with Norwegians). Psychologists and sociologists have labeled this tendency to be drawn to others who look like you as the “Own-Race Effect.” As someone who is also Asian/White, I feel like this effect is exacerbated. I’m an Associate Professor of Art, Media, & Design at DePaul University in Chicago and I count 3 other Asian/White faculty in my College of Liberal Arts & Social Science. I’m also piqued to receive information about “my people” so when the U.S. Census Bureau announced on March 21, 2012that in the 2010 Census, “Asians grew faster than any other group over the last decade” I paid attention. With a 45.6% increase, we make up 5.6% of the population or 17.3 million now and of that group, 2.6 million identified as more than one race.

I wonder how being framed as, “the fastest growing population” will translate into representation in positions of leadership and power? Just because there are more of us, will anything really change or will we continue to be seen as “model minorities” or invisible and statistically insignificant? Will we see more Asian C-level executives? Could there be an American President of Asian descent one day and when will marketers ever stop lumping us with Whites?

l do have to admit that when I’m looking for a good laugh, I troll through Christian Lander’s Stuff White People Like blog and the opening Ivy League contour line drawing in his 2010 Whiter Shades of Pale: Coast to Coast,From Seattle’s Sweaters To Maine’s Mircrobrews of a sporty young woman with a Harvard sweatshirt, baseball cap, and Democratic Party gear looks suspiciously like a certain member of my family who still Obeys her Obama 08 t-shirts. But I know we really aren’t the same. Like you know that when you mess up, a White person might just think, “oops, I made a mistake. I’ll do better next time.” But for us Asians, messing up brings shame to entire family! Filial piety lives on for better and for worse. I know that as the number one daughter in my family (and yes, I said daughter not son) my actions, even as an adult, supposedly set an example for my younger brothers and for the next generation, even those not even born. Cultural euphemisms such as “the squeaky wheel gets the oil” vs. “the nail that sticks up gets hammered” provide generalizations about Asian belief systems that may or may not still be true for some of us but we can see differences in areas that we can actually measure such as our consumption. In the category of food, for example, did you know that in a 2007 CES study Asians accounted for 8.3% of expenditures on fish and seafood yet made up only 3.5% of CES households (Kumaki, 170)? Surely you don’t see most other racial groups buying rice in 25 lb bags and prominently displaying an electric rice cooker on their kitchen counter on a regular basis? As an artist and an Asian American studies scholar I’ve thought a lot about representation but not as much about Marketing with a capital M. Criticizing blatantly racist media images or complaining about lack of representation is one thing but what if I really want to reach “my people”? Rice may be rice but Asian Americans come from such a myriad of different cultures that finding a common ground can seem to be daunting. How do you even begin speaking to a pan-Asian American audience? Start by "speaking English," Robert Kumaki suggests, and look for the “sweet spot [in the Asian American market] of family, finance, technology or education.

His 2010 co-authored book with Jack Moran, Many Culture One Market: A Guide To Understanding Opportunities In The Asian Pacific American Market, has some golden tips to cracking this Melting Wok market, which the authors consider low hanging-fruit for marketers. For the sake of being as inclusive as possible they chose to lump Native Hawaiians and Pacific Islanders into the mix despite what they concede as the dramatically different socio-economic experiences from the rest of Asian Americans. Hence the term APA (Asian Pacific American) is used in the book and this review even though it is no longer used in the U.S. Census nor in activist and academic contexts in Asian American studies except in a historical sense. Remember that this is a marketing book so there is a constant push and pull between defining a targeted niche market and redefining what really is mainstream. Kumaki and Moran make a case that while some think of the APA market as only 4% (this was prior to the new 2010 stats) that it leans more towards 8% and even as high as 20% of the U.S. market. The book is written in a user-friendly form with a personal voice that draws upon the authors years of experience in senior research and management positions and their personal and professional expertise in ethnographic marketing. Their broad generalizations about the APA market are backed up with lists, bullet points and statistics. Each chapter has a series of overt framing questions and end of the chapter summaries, all of which made this topic accessible to me as a non-marketing expert. I could easily see Many Cultures One Market being used in a classroom, corporate or non-profit settings to facilitate group discussions about how to reach APA and cross-over audiences in the U.S..  Being a long time Chicagoan, I really appreciate the regional examples of Asian American marketing such as Chicagos Chinese restaurants reflecting the latest trends in Asian cuisine and hip interior design rather than staying stuck in a time warp (all I have to say is everyone want to be the next Tony Hu). You dont have to go to LA or NY to get hand-pulled noodles (go to Hing Kee) and Shanghai soup dumplings anymore and Peking duck chopped up table-side is available nightly at Chicagos Sun Wah BBQ restaurant.

One doesnt need to be a big corporation or even officially in marketing either to ask questions about reaching the Asian American market. For example, I found myself asking marketing questions for my own practice as an artist, academic, and non-profit volunteer: How can I find a market outside of my ethnic group or racial experience to be interested in my paintings that are about specific Asian ethnic groups and locations? How can I get corporate sponsors to donate to the Japanese American Service Committee "Living our Culture: A Celebration of Japanese American Art and Culture" benefit we are organizing on June 7th (seriously, please feel free to contact Carol Yoshina at the JASC if you want to be a sponsor or donate goods or services)?  How do reach a broader audience to be part of the ethnic/racially specific non-profit orgs I am involved with? How can I get a wider range of students to enroll in our Global Asian Studies program? How can my University do a better job recruiting and retaining Asian faculty, staff, and students? You get the idea.

Many Cultures One Market starts by dispelling some common myths about multicultural marketing such as the perception that the only way to reach Asians is to run targeted Asian language ads in Asian-specific media. They caution that this can too often lead to mis-translation and cite a well-known example from years ago when Pepsi tried to translate Come alive with Pepsi. The result? Pepsi-Cola brings your ancestors back from the dead. Thats one heck of a product benefit. It turns out we are consuming mainstream media just like everyone else albeit apparently we watch less TV and are more inclined to get our news online and open direct mail.

Besides our penchant for seafood and speaking English, the book characterizes APAs drive towards assimilation as going up the APA Escalator. Instead of inscrutable perpetual foreigners, Many Cultures One Market provides cultural snapshots of APAs as interconnected global tribes that can be characterized as tech-savvy early adapters, family and community oriented, focused on education, foodies, increasingly multi-racial and multi-ethnic, entrepreneurial, and over-represented in the sciences, engineering, finance and medicine. Before you dismiss this as a little too close to the old model minority stereotype, they do aggregate this population and point to more complex Yellow Peril history in which the American political and legal systems have constructed barrier after barrier to the creation of an APA community. Ill be a spoiler here and go straight to what I think the point of this book is as outlined in chapter XI. One Market: A New Paradigm to Make It Simple:

We feel there are three basic ideas that can help you define, both quantitatively and qualitatively, and then reach the APA marketplace:

·      There is an identity to which all APA groups can relate. It transcends language, country of origin, and even the number of generations in the U.S.
·      Derived from this identity, there are commonalities that exist amongst almost all APAs commonalities that dont necessarily exist among non-APAs.
·      There is a market that can be aggregated under this identity.

To help you identify and then connect with the marketing opportunity, we identify three major drives – one is culturally based, one is physically based, and one is language-based.

Simply put, you have to understand:

The Americanization Dynamic – the cultural driver
The Own-Race Effect – the physical driver
English as a Common Denominator – the language driver


I was pleasantly surprised to see a chapter devoted to “Hapas” and that the authors gave serious attention to the non-APA crossover market, which includes parents of oversees adoptees. Vincent Cheng’s Inauthentic: The Anxiety Over Culture and Identity (Rutgers University Press, 2004) fleshes out and critiques this market of parents that are enrolling their kids in martial arts and Asian language classes in droves and having their kids look for their roots in fan dance and Disney’s Mulan. The main practical take away for me was in their closing chapter XVI. “APA Specialists” about ROI on sponsors participating in APA event marketing and the checklist for “Criteria for Inclusion” that they offer if you should decide to use this avenue for marketing. From my 20 years of participating in Chicago’s pan-Asian arts and culture communities, I have seen this very simple marketing strategy successfully at work. If you place an ad for your restaurant in our film festival brochure, we will go there. If you table at our advocacy event, we will consider your company or product friendly to APAs. If you e-mail us personally, chances are we’ll write you back. If you send us direct mailers, we may even open up your letter and may not throw it away. So if you think you have a product or company that fits the “sweet spots” of food, family, finance, technology or education, consider reaching out to APA audiences and grab Many Cultures One Market as a handy guide to get you started.

Wednesday, March 7, 2012

Godzilla 101: The Birth of An Atomic Monster


Hey Chi-town friends, join us this next Tuesday 3/13/12 for a fun night of J-rock and Godzilla.  I serve on the board of the Japanese American Service Committee (one of the orgs putting this on) and Dr. Larry Mayo is a colleague of mine at DePaul University.

 
Godzilla 101: The Birth Of An Atomic Monster
Tuesday, March 13th, 9:00PM
$5 suggested - The Hungry Brain at 2319 W. Belmont, Chicago, IL (21+)


Together, Homeroom and the JASC host Dr. Larry Mayo, professor of anthropology at DePaul University, for a look at the radioactive origins of the world’s most caustic monster risen from the ashes of the U.S. devastation of Hiroshima, Nagasaki, and Bikini Atoll. Godzilla was at once comfort to a nation in mourning as well as confrontation with the dawning of the Atomic Age. Mayo will trace out the direct influence of the U.S. occupation of Japan, the H-bomb, and modernity as “foreign pathology” on the genesis of Godzilla, as well as the continuing mutation of our hero/horror in popular global culture. Is Godzilla friend or foe? Is he to be understood—OR DESTROYED!?

The night features special guests, slide-shows and screenings (including excerpts from Kim Jong-il’s “Godzilla” movie) plus, monstrous J-Rock curated by Laurel Fujisawa.

Brought to you by Fred Sasaki and presented in partnership with the Japanese American Service Committee 101 is an informal lecture and discussion series in which enthusiasts explore sub-culture and pop in front of a drinking crowd. It takes place on occasional Tuesdays at the Hungry Brain in Roscoe Village.

Larry Mayo has a doctorate in cultural anthropology from the University of California , Berkeley (although he refers to himself as a social anthropologist) and has taught at DePaul since 1988. He conducted research in Guam , focusing on the process of urbanization, the politics of ethnicity and sociocultural change. His teaching interests are mainly toward undergraduate courses that introduce students to fundamental concepts in anthropology, such as processes of social and cultural change, the process of ethnicity, the concept of “race,” social inequality, the concept of culture, and contemporary cultures in the Pacific Islands. He teaches courses that introduce the concept of culture to students through multiple idioms, such as cultural anthropology, food and culture, and cultures of the Pacific; and specific topical courses such as urban anthropology, urban ethnography, and urban ethnicity. His non-academic interests are jazz, sci-fi (movies and books) and monster movies (especially Godzilla).

To learn more about Homeroom and Fred Sasaki visit:
http://homeroomchicago.org/blogs/145-homeroom-s-fred-sasaki-makes-newcity-s-lit-50
 

To learn more about the JASC visit: http://www.jasc-chicago.org/
--
Here's a link to become a fan of the Chicago Japanese American Historical Society!  Please join us.  
http://www.facebook.com/profile.php?id=1833885531&ref=name#/pages/Chicago-Japanese-American-Historical-Society/106546727080

Tuesday, March 6, 2012

Conversation with Bibiana Suárez March 11, 2012 HPAC

Snapshot from the Dec 11, 2012 opening of
Bibiana's Memoria (Memory) show at HPAC
A shout out to my colleague at DePaul University Bibiana Suárez. Bibiana took me under her wing when I was fresh newbie instructor straight out of grad school and she taught me how to be a teacher. Besides the nuts and bolts of teaching, one of the most important things I've learned (or tried to learn) from her is the art of balancing the demands of your own studio practice, teaching, University and community service, and family - think of seasons where you cycle in and out of and cultivate different aspects of your career and personal life. I always try to do everything at once and subsequently function on very little sleep and too much coffee. I'm so happy to see Bibiana's epic installation of 108 paintings at the Hyde Park Art Center in Chicago. For all her outer calm, I think she hasn't been sleeping much either. The show is up now through March 25th. Come down to HPAC on March 11th for a special conversation with the artist from 3-5pm.

Conversation with the Artist: Bibiana Suárez
Sunday, March 11, 3:00pm - 5:00pm

Join Bibiana Suárez, the artist who made the artwork in Memoria (Memory), as she explains her latest body of work in the context of her own history and her intention to address the current issues with the concept of latinidad (or the concept of a all-embracing latino identity in the United States) through her work.

This event is free and open to the public.


For more information go to 

http://www.hydeparkart.org/exhibitions/bibiana-su%C3%A1rez-emmemoria-memoryem.

RELATED EXHIBITION
Bibiana Suárez: Memoria (Memory)


Hyde Park Art Center
5020 S. Cornell Avenue
Chicago, IL 60615
Phone: 773-324-5520 


Indigo Calling: Shelly Jyoti's work featured in UK The Quilter magazine

My good friend and artistic collaborator Shelly Jyoti's Indigo series is featured in the Spring 2012 issue of The Quilter magazine in the UK. To watch a video about our 2009-2010 Indigo: Laura Kina and Shelly Jyoti exhibition visit YouTube "Indigo New Works"




Tuesday, February 21, 2012

Vote for "My Asian Americana" by March 1st

Video still from "My Americana" by Studio Revolt
"What's Your Story?" is a video challenge that is part of the White House Initiative on Asian Americans and Pacific Islanders. My good friends, Anida Yoeu Ali and Masahiro Sugano of Studio Revolt, submitted a video "My Asian Americana" which made it to the finalist round. I would encourage all of you out there to watch the videos and use these as tools to talk about and think about what the issues are in our Asian American and Pacific Islander communities. What can you relate to here and what's missing? Keep telling our stories and vote by March 1st for your favorite video:
http://www.whitehouse.gov/aapi/whats-your-story


About the film (from Studio Revolt):
Exiles and ex-pats unite as a community to present images of an Americana they left behind.  One half live outside the US by choice while the other half has been forcibly returned. All are Americans. Each raised with the memories, mannerisms, and a distinct cultural identity of growing up Asian in America. This piece is both a short film and a PSA to remind the public of untold stories about Asian Americans ordered into exile. These are the narratives of Cambodian Americans impacted by US deportation policies.  (For more info on deportation visit SpokenKosal.com)

Produced and Directed by Anida Yoeu ALI
Filmed and Edited by Masahiro SUGANO
Music Produced by Phanna NAM a.k.a. ‘Peanut’ of eKHlectic Records
Lyrics and Song by Sokha CHHIM a.k.a. ‘Dollah’
Coordinator: Thea SOM
Production Assistant: Phyrak KHUN
Cast (in order of appearance): Anida Yoeu ALI,  Thea SOM,  Kosal KHIEV, Phyrak KHUN, Sokha CHHIM, Ryan TONG, Vinh DAO and Vanna SANN

Thursday, February 9, 2012

Ways of Making: Painting

Visual Arts Gallery, Governors State University
Ways of Making: Painting
March 9-30, 2012

My 2010 painting "Palaka" from my ongoing Sugar series will be included in "Ways of Making: Painting" curated by Dolores Mercado, National Museum of Mexican Art.
Laura Kina "Palaka" 30x40 oil on canvas 2010
"Ways of Making: Painting" features work by 25 Women Artists in recognition of the 25th year of Women's History Month.  

Pilar Acevedo
Lynn Basa
Jennifer Cronin
Jessica Freudenberg-Segal
Esperanza Gama
Paula Henderson
Juliette Herwitt
Laura Kina
Vera Klement
Sarah Krepp
Judy Ledgerwood
K. A. Letts
Bernell Loeb
Sioban Lombardi
Rosanna Mark-Andreu
Renee McGinnis
Betty Ann Mocek
Elsa Muñoz
Martina Nehrling
Joyce Owens
Miriam Socoloff
Sue Sommers
Erin Waser
Maureen Warren
Kathleen Waterloo

CLOSING RECEPTION: Wednesday March 8 from 5:30-8:30 p.m. 


Look for us on Facebook https://www.facebook.com/pages/Visual-Arts-Gallery-Governors-State-University/164905230206611

For more information contact:
Jeff Stevenson
Gallery Director and University Lecturer
Visual Arts Gallery, Governors State University
1 University Parkway, University Park, IL 60484
708.534.4021
http://www.govst.edu/gallery

Thursday, January 26, 2012

Re-Seeing Religion: (De)Colonizing Images in Hawaii, Zimbabwe and Mexico

The Center for Interreligious Engagement Presents:

Re-Seeing Religion: (De)Colonizing Images in Hawaii, Zimbabwe and Mexico

Wednesday, February 15, 2012
6:30-8:00pm
DePaul Art Museum
935 W. Fullerton Ave.

Three panelists explore the creatively difficult visual interactions among indigenous peoples and their colonizers. Drawing on oral history and family photographs, Laura Kina’s SUGAR paintings recall obake ghost stories and feature Okinawan sugar cane plantation field laborers in Hawaii. Joseph Kinsella considers the often conscious indigenization of Christianity by Zimbabwean painters and sculptors. Kay Read, using a stark contrast between pre-conquest Aztec and post-Conquest Spanish images of the Feathered Serpent, exposes the long-lasting., but influential, colonialist legacy left us by the early clerics.

Participants
Laura Kina
- DePaul University, Associate Professor of Art, Media, and Design
Joseph Kinsella - DePaul University, Visiting Assistant Professor of Anthropology
Kay Read – DePaul University, Professor of Religious Studies (Panelist and Moderator)

Monday, December 5, 2011

Critical Mixed Race Studies 2012 call for papers deadline Dec 15, 2011

CALL FOR PAPERS DUE DECEMBER 15, 2011

Conference Description:
What is Critical Mixed Race Studies? will be hosted at DePaul University in Chicago, November 1-4, 2012. The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have fostered different approaches to the field, the 2012 CMRS conference is devoted to the general theme "What is Critical Mixed Race Studies?"


Proposals: We invite panels, roundtables, and papers that address the conference theme, although participants are also welcome to submit proposals that speak to their own specialized research, pedagogical, or community-based interests. The primary criterion for selection will be the quality of the proposal, not its connection to the conference theme. Proposals might consider the ways different disciplines approach or provide methodologies for critical analyses of mixed race issues. Proposals might also consider the following areas as related to Critical Mixed Race Studies:

Arts
Census/Racial Counting
Communications
Comparative & Transnational Studies
Commerce
Community Organizing
Critical Race Studies
Cultural Studies
Economics
Education
Global Migrations & Diaspora
Government/Civil Rights Compliance
Health Care
History
Identity
Geography
Indigenous Studies
Interdisciplinary Studies
K-12
Literary Studies
Mental Health
Politics
Prison/Industrial Complex
Psychology
Queer Studies
Religious Studies
Social Services
Sociology
Transracial Adoption
Urban Studies

To submit a proposal or for more information, please visit:
http://las.depaul.edu/cmrs

DEADLINE FOR ALL PROPOSALS: Dec. 15th, 2011
SELECTIONS WILL BE FINALIZED BY March 1st, 2012

All queries should be directed to cmrs@depaul.edu

Tuesday, November 22, 2011

NEA grant and UW book contract awarded for War Baby/Love Child







A National Endowment for the Arts - 2012 Art Works Grant has been awarded to a project for which I am the primary investigator (aka project organizer and co-curator/co-author):


DePaul University
Chicago, IL
$39,000
To support the exhibition, War Baby/Love Child: Mixed Race Asian American Art, and accompanying catalogue. Featuring art works by approximately 20 contemporary artists, the exhibition will investigate the construction of mixed race and mixed heritage, and Asian American identity in the United States.

http://www.nea.gov/grants/recent/12grants/12AAE.php?CAT=Art%20Works&DIS=Museum

The exhibition, co-curated by Laura Kina and Wei Ming Dariotis, is scheduled to open at the new DePaul University Art Museum April 26 - June 30, 2013, Chicago, IL and will then travel to the Wing Luke Museum of the Asian Pacific American Experience August 9, 2013 – January 19, 2014, Seattle, WA. 

Artists:
Mequitta Ahuja, Albert Chong, Serene Ford, Kip Fulbeck, Stuart Gaffney, Louie Gong, Jane Jin Kaisen, Lori Kay, Li-lan, Richard Lou, Samia Mirza, Chris Naka, Laurel Nakadate, Gina Osterloh, Adrienne Pao, Cristina Lei Rodriguez, Amanda Ross-Ho, Jenifer Wofford, Debra Yepa-Pappan.

University of Washington Press to publish War Baby/Love Child: Mixed Race Asian American Art:

A related publication of the same title, also co-edited by Laura Kina and Wei Ming Dariotis, has been awarded a book contract to be published by the University of Washington Press to coincide with the exhibition in 2013. This multi-author volume will feature a foreward by Kent A. Ono, a co-authored preface and introductory essay by the editors, 19 original artist interviews conducted by the editors, and original essays from Wei Ming Dariotis and the contributing authors: Camilla Fojas, Stuart Gaffney, Rudy Guevarra, Eleana Kim, Richard Lou, Margo Machida, Stephen Murphy-Shigematsu, Lori Pierce, Cathy Schlund-Vials, Ken Tanabe, and Wendy Thompson-Taiwo. Major funding for the publication has been awarded through the Elizabeth Firestone Graham Foundation, DePaul University and San Francisco State University.

Related programming will be organized in 2013-2014. Stay tuned!