tag:blogger.com,1999:blog-75223220317492697692024-03-12T20:18:52.273-07:00LAURA KINALaura Kina - artist/scholar/activist. News and events.Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.comBlogger226125tag:blogger.com,1999:blog-7522322031749269769.post-17493619302184526932018-04-12T13:38:00.000-07:002018-04-12T13:41:58.217-07:00Support "Okinawan Princess: Da Legend of Hajichi Tattoos"<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
<div class="MsoNormalCxSpFirst" style="background: white; vertical-align: baseline;">
<b><span style="border: none 1.0pt; color: black; font-family: "arial"; padding: 0in;">3Arts Foundation 3AP crowdfunding campaign for </span></b><strong><span style="border: none 1.0pt; color: black; font-family: "arial"; padding: 0in;">Laura Kina, </span></strong><em style="box-sizing: border-box; font-weight: inherit; outline: 0px;"><b><span style="border: none 1.0pt; color: black; font-family: "arial"; padding: 0in;">Okinawan Princess: Da Legend of
Hajichi Tattoos</span></b></em></div>
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<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXI606vY4M0aaSEn4T8ncZMMTSb4-tiRUxiUvaUqLqERaRdNJwooo11mgLHq3Ych6KNwtotvOh3Usha4DPGJ2r7esZj5FOPugMhgqPGCVuHPNFCJovklG60Ac2Go1lwqza7qjwapStJRs/s1600/mail.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXI606vY4M0aaSEn4T8ncZMMTSb4-tiRUxiUvaUqLqERaRdNJwooo11mgLHq3Ych6KNwtotvOh3Usha4DPGJ2r7esZj5FOPugMhgqPGCVuHPNFCJovklG60Ac2Go1lwqza7qjwapStJRs/s400/mail.jpg" width="400" /></a></div>
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<br /></div>
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<b><span style="color: black; font-family: "arial"; mso-fareast-font-family: "Times New Roman"; mso-themecolor: text1;">Crowdfunding with a Match<o:p></o:p></span></b></div>
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<span style="color: black; font-family: "arial"; mso-themecolor: text1;">3AP (3Arts Projects) is a unique crowdfunding
platform with a built-in match that helps Chicago artists finance new creative
work. 3Arts matches 1/3 of each project goal, charges no fees to artists, and
offers mentoring and technical support.</span></div>
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23–May 7, 2018.<o:p></o:p></span></li>
<li class="MsoNormal" style="background: white; color: black; mso-list: l0 level1 lfo1; mso-themecolor: text1; tab-stops: list .5in;"><span style="font-family: "arial"; mso-fareast-font-family: "Times New Roman";">Visit the 3AP site to
learn more about my project and make a tax-deductible donation to support
"Okinawan Princess."<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></li>
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<span style="border: none 1.0pt; color: black; font-family: "arial"; padding: 0in;"><a href="https://3arts.org/projects/okinawan-princess/"><span style="color: black; mso-themecolor: text1;">https://3arts.org/projects/okinawan-princess/</span></a></span></h2>
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<!--EndFragment--><br />
<div style="background-color: white; font-family: "Source Sans Pro", sans-serif; font-size: 16.032px; text-align: justify;">
<em><strong>STRETCH GOAL! I’m overwhelmed by the amazing response to this campaign! Thank you to everyone who helped me reach my initial goal in record time. This has opened up so many more possibilities for this book that I’m excited to announce that we’re going for a stretch goal of $10,000! With continued support, we will be able to expand the project to hopefully include things like a Spanish translation, an annotated glossary of the hajichi symbols and their meaning, an e-book and/or an audio book, and targeted outreach to Okinawan ethnic communities in the diaspora.</strong></em></div>
<div style="background-color: white; font-family: "Source Sans Pro", sans-serif; font-size: 16.032px; text-align: justify;">
<br />
I am illustrating my first children’s book, <strong><em>Okinawan Princess: Da Legend of Hajichi Tattoos.</em></strong> This is a bilingual feminist fairy tale set in Hawai‘i and Okinawa that illuminates an ancient tradition and pushes back against white normative standards of beauty. Growing up mixed-race in the rural Pacific Northwest, I didn’t know much about my own Asian culture or our family history as Okinawan migrant sugarcane plantation workers on the Big Island. For the past decade, I have been making paintings inspired by my travels back to Hawai‘i and Okinawa, Japan to reconnect family roots that were severed during World War II. Over the years those roots continued to drift apart as we assimilated into our respective American and Japanese cultures. This book is part of that reclamation journey. <em>Okinawan Princess</em> is written in Pidgin (Hawai‘i Creole) by Lee A. Tonouchi (aka Da Pidgin Guerrilla) and translated by Dr. Masashi Sakihara into a mix of Japanese and an Okinawan language called Uchinaaguchi. The book will feature over 35 of my original watercolor illustrations. Your contributions to this campaign will help cover costs of production and printing and ultimately enable us to share this little-known indigenous custom with future generations.</div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-56460462397169154432018-04-12T13:33:00.005-07:002018-04-12T13:33:58.946-07:00Asian Arts Initiative’s 25th Anniversary Celebration<div dir="ltr" style="text-align: left;" trbidi="on">
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<article class="post-823 post type-post status-publish format-standard has-post-thumbnail hentry category-events category-news tag-3ap tag-3arts tag-art tag-asian-american tag-asian-arts-initiative tag-association-for-asian-american-studies tag-critical-mixed-race tag-digital-humanities tag-hajichi tag-hawaii tag-hawaii-creole tag-japan tag-okinawan tag-okinawan-princess tag-pidgin tag-queer tag-swarthmore tag-uchinaaguchi tag-uchinanchu tag-uconn" id="post-823" style="-webkit-text-stroke-width: 0px; background-color: white; border: 0px; box-sizing: border-box; color: #191919; display: block; font-family: Lato, sans-serif; font-size: 18px; font-style: normal; font-variant-caps: normal; font-variant-ligatures: normal; font-weight: 300; letter-spacing: normal; margin: 0px; orphans: 2; outline: 0px; padding: 0px; text-align: start; text-decoration-color: initial; text-decoration-style: initial; text-indent: 0px; text-transform: none; vertical-align: baseline; white-space: normal; widows: 2; word-spacing: 0px;"><div class="entry-content" style="border: 0px; box-sizing: border-box; font-family: inherit; font-size: 18px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
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<span style="font-size: 1.3889em; font-style: inherit;">Asian Arts Initiative’s 25th Anniversary Celebration</span></div>
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<a href="https://www.asianarts25.org/25th-anniversary-season" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; color: inherit; font-family: inherit; font-size: 18px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration: none; transition: 0.3s; vertical-align: baseline;">https://www.asianarts25.org/25th-anniversary-season</a></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-size: 18px; font-style: inherit; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">“Then and Now”</strong><br style="box-sizing: border-box;" />May 4, 2018–August 17, 2018<br style="box-sizing: border-box;" />Opening Reception: Friday, May 4, 2018 5pm<br style="box-sizing: border-box;" />Featuring live interactions with artists Saya Woolfalk and Shelly Bahl</div>
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Asian Arts Initiative<br style="box-sizing: border-box;" />1219 Vine St<br style="box-sizing: border-box;" />Philadelphia, PA 19107</div>
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Curated by Alexandra Chang, Curator of Special Projects and Director of Global Arts Programs at Asian/Pacific/American (A/P/A) Institute at New York University.</div>
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I will have three works on display in the show.</div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-9043670994641474672018-04-12T13:32:00.003-07:002018-04-12T13:36:23.187-07:00Speaking at UCONN - Transpacific Imaginations & Unsettled Visions Contemplating and Celebrating Margo Machida<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-size: 25.0002px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><u style="box-sizing: border-box;">Lecture:</u></strong></h4>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">University of Connecticut</strong><strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Transpacific Imaginations & Unsettled Visions</strong><strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Contemplating and Celebrating Margo Machida (Professor Emerita, AAASI)</strong></div>
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April 13-14, 2018<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinL7xQYreXVFIyA2w1vBmd9ud8cNtcqkMU-PtEhfbZOXEfveRbknJ7M4Tz75u_fqLiIAFM4l4VErFIn3yC2K5p4bHjMWIZu89wReMTJoQkZeysbEqZpMk8F7n4d-6K98VM8oQslwZ7WEs/s1600/MARGO-MACHIDA-SYMPOSIUM-FLYER-768x994.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="994" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinL7xQYreXVFIyA2w1vBmd9ud8cNtcqkMU-PtEhfbZOXEfveRbknJ7M4Tz75u_fqLiIAFM4l4VErFIn3yC2K5p4bHjMWIZu89wReMTJoQkZeysbEqZpMk8F7n4d-6K98VM8oQslwZ7WEs/s400/MARGO-MACHIDA-SYMPOSIUM-FLYER-768x994.jpg" width="308" /></a></div>
This two-day symposium, which opens with an evening keynote address by <strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Professor Lisa Yoneyama</strong> (University of Toronto), is inspired by Margo Machida’s foundational work within the fields of Asian American art, diasporic Asian visual culture, and transpacific studies. As the Asian and Asian American Studies Institute celebrates its 25<span style="border: 0px; box-sizing: border-box; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; position: relative; top: -0.4em; vertical-align: baseline;">th</span> anniversary, this symposium considers, contemplates, and celebrates one of its own.</div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: oblique; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">All talks will take place in the Humanities Institute Reading Room, located on the 4<span style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; position: relative; top: -0.4em; vertical-align: baseline;">th</span> Floor of <a href="https://lib.uconn.edu/" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Homer Babbidge Library</a>.</span></strong>369 Fairfield Way, Unit 1005<br />
Storrs, CT 06269</div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">April 13, 2018 / 630 PM</strong><strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Keynoted Address: Lisa Yoneyama (University of Toronto)</strong></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">April 14, 2018 </strong><strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">10:30 AM – 4:30 PM </strong><strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">(SYMPOSIUM)</strong></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">1030 – 1130 AM</strong></div>
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HAWAI’I, TRANS-PACIFIC LABOR FLOWS, AND HISTORIES OF PLACE<br />
Franklin Odo, Amherst College<span style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: oblique; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </span></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">1130 – 1230 PM LUNCH </strong></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">1230 – 130 PM</strong>QUEERING CONTEMPORARY ASIAN AMERICAN ART: The Optics of Queer Studies and Critical Mixed Race Studies<br />
Laura Kina, DePaul University</div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">130 – 145 PM COFFEE BREAK</strong></div>
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<span style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: oblique; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </span><strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">145 – 245 PM</strong>WAR, GENOCIDE AND JUSTICE: MEMORY WORK IN ASIAN AMERICAN ART<br />
Cathy Schlund-Vials, UConn<span style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: oblique; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </span></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">245 – 3 PM COFFEE BREAK</strong></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">3 – 4 PM </strong>PACIFIC ITINERARIES: ISLANDS, OCEANIC IMAGINARIES, AND SITES OF CONVERGENCE IN CONTEMPORARY ASIAN AMERICAN ART<br />
Margo Machida, UConn</div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">4 – 430 PM FINAL THOUGHTS</strong></div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-61302355192905382542018-04-12T13:31:00.002-07:002018-04-12T13:38:05.676-07:00Swarthmore College - Laura Kina artist talk and exhibition "Champuru"<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-size: 25.0002px; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><u style="box-sizing: border-box;">Artist talk and solo exhibition “Laura Kina: Champuru”</u></strong></h4>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Swarthmore College</strong>Friday, April 13, 2018, 3 – 5PM<br />
McCabe Library 100 Atrium<br />
500 College Avenue<br />
Swarthmore, PA 19081</div>
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<a href="https://swatcentral.swarthmore.edu/?trumbaEmbed=view%3Devent%26eventid%3D282821344" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">https://swatcentral.swarthmore.edu/?trumbaEmbed=view%3Devent%26eventid%3D282821344</a></div>
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This event is part of <a href="http://compassconference.strikingly.com/#schedule" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Compass: Navigating Multiness</a>, an undergraduate three-day conference, to bring together people both personally and academically interested in the Multi experience.</div>
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The talk will take place in the McCabe atrium, followed by a reception in the 2nd floor exhibition space.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXEwxxAKHWt6ZJumHBnWhXJyhPWSkgQNzMC2zUDpEV1_BXZOKq1diidj3jtzP3WgQIRIa4zNpxQuPcrUD9JIXTlAxweWhXhPjoTPjXuFRbEqcZNitcJ0FoT26WyTTImR_fZ2Emkmb6uEo/s1600/Swarthmore_LauraKina_Champuru_April13_2018.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="994" data-original-width="778" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXEwxxAKHWt6ZJumHBnWhXJyhPWSkgQNzMC2zUDpEV1_BXZOKq1diidj3jtzP3WgQIRIa4zNpxQuPcrUD9JIXTlAxweWhXhPjoTPjXuFRbEqcZNitcJ0FoT26WyTTImR_fZ2Emkmb6uEo/s400/Swarthmore_LauraKina_Champuru_April13_2018.png" width="313" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Poster design from Swarthmore College</td></tr>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-78264455466765917272018-03-19T07:08:00.000-07:002018-03-19T07:24:03.927-07:002018 Association for Asian American Studies Conference<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span style="border: 1pt none; color: #191919; font-family: "arial"; padding: 0in;">2018<a href="http://aaastudies.org/2018-aaas-conference/"><span style="color: #888888; text-decoration: none;"> Association for Asian American
Studies Conference</span></a><br />
</span></b><span style="color: #191919; font-family: "arial";">March 29-31, 2018<br />
Westin St. Francis Hotel in San Francisco, CA.<br />
335 Powell Street, San Francisco, California 94102<o:p></o:p></span></div>
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<b><span style="border: none 1.0pt; color: #191919; font-family: "arial"; padding: 0in;">Panel:
Centering Legacies of Resistance: Asian American Visual Culture Strategies<o:p></o:p></span></b></div>
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<span style="color: #191919; font-family: "arial"; letter-spacing: -0.1pt;">Saturday, March 31, 2018 8:00am-9:30am in Bristol</span><span style="color: #191919; font-family: "arial"; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
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<span style="color: #1d2129; font-family: "arial"; letter-spacing: -0.1pt;">Chair: <b>Valerie Soe</b>, San Francisco State University<br />
Discussant: <b>Tina Takamoto</b>, California College of the Arts</span><span style="color: #666666; font-family: "arial"; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
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<u>Presenters:</u><br />
<b>Laura Kina</b>, DePaul University<br />
Collaborative Scholarship in Digital Humanities: Creating the Virtual Asian
American Art Museum<br /><br style="mso-special-character: line-break;" />
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<b><span style="color: #1d2129; font-family: "arial"; letter-spacing: -0.1pt;">Johanna Poethig</span></b><span style="color: #1d2129; font-family: "arial"; letter-spacing: -0.1pt;">, California State University, Monterey Bay<o:p></o:p></span></div>
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<span style="font-family: "arial";"><span style="color: #1d2129;"><span style="letter-spacing: -0.1pt;">Legacies of Resistance and the Commodification of Art and Protest in
Fossil Capitalism</span></span><br /><span style="color: #666666;"><br /></span></span></div>
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<b style="color: #1d2129; letter-spacing: -0.1pt;">Julie Thi Underhill</b><span style="color: #1d2129;"><span style="letter-spacing: -0.1pt;">, California College of the Arts<br />(Auto)biographical
Persistence: Cham-American Filmmakers Defy the Rhetoric of Disappearance</span></span><span style="color: #666666;"><br /></span></span></div>
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<b><br />Jenifer Wofford</b>, University of San Francisco <br />
Dearly Beloved/No Scrubs</span></div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-48263009120518464122018-03-19T06:47:00.000-07:002018-03-19T06:47:16.169-07:00Critical Mixed Race Studies 2018 at University of Maryland<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">2018 <a href="https://criticalmixedracestudies.com/" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Critical Mixed Race Studies</a> Conference</strong><br style="box-sizing: border-box;" /><span style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: oblique; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Resisting, Reclaiming, and Reimagining</span>University of Maryland March 1-3, 2018<br style="box-sizing: border-box;" />Adele H. Stamp Student Union 3972 Campus Drive, College Park, MD, 20742<br />#CMRS2018<br /><br />This was the first CMRS I was able to attend just as a participant and not an organizer. Thank you to the new board and #CMRS2018 conference organizers Chandra Crudup and Naliyah Kaya for keeping CMRS alive and taking it into new directions. Despite the University of Maryland shutting down on 3/2 due to a wind storm, CMRS attendees and organizers found a way to hold panels at a nearby hotel on 3/2 and rearrange 2 days of programming on the fly. </div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAEkY-a6NIbi7rngS0Sg9gMe13YqJWXbY463FKVc8uLLitmlXK8QqHA3eZ1mqh2kFaxTJAkP3TfuRmaUA9tXGpbPe8vM0XLc-ak4R-GI8Dy9h9AjSaGbczl0XRvSlWeJiNIEFSE5OMG88/s1600/IMG_6556.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAEkY-a6NIbi7rngS0Sg9gMe13YqJWXbY463FKVc8uLLitmlXK8QqHA3eZ1mqh2kFaxTJAkP3TfuRmaUA9tXGpbPe8vM0XLc-ak4R-GI8Dy9h9AjSaGbczl0XRvSlWeJiNIEFSE5OMG88/s320/IMG_6556.JPG" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chandra Crudup and Naliyah Kaya</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_-ZzxP7ZtNGZR8a-UaX4ppuhIebySpQwL-ug6dUW0um82ThCp-LTpQbfgn_lpW3D_lq0hNI33NmN4BoC3zE3i9bLa1MN8gqmy9DyogsGcPCHIJXBorXdpTwCHUiiI73fctKmClGDv6Q/s1600/IMG_6546.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_-ZzxP7ZtNGZR8a-UaX4ppuhIebySpQwL-ug6dUW0um82ThCp-LTpQbfgn_lpW3D_lq0hNI33NmN4BoC3zE3i9bLa1MN8gqmy9DyogsGcPCHIJXBorXdpTwCHUiiI73fctKmClGDv6Q/s320/IMG_6546.JPG" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">CMRS 2018 organizer and CMRS VP Chandra Crudup with keynote speaker<span style="font-size: xx-small;"> </span><span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><a href="http://www.fanshencox.com/site/Welcome.html/" rel="noopener noreferrer" style="background: rgb(255, 255, 255); border: 0px; margin: 0px; padding: 0px; text-align: start; vertical-align: baseline;" target="_blank"><span style="color: black;">Fanshen Cox DiGiovanni</span></a><span style="background: rgb(255, 255, 255); border: 0px; margin: 0px; padding: 0px; text-align: start; vertical-align: baseline;">.</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJpwMWL5OLlFjcJUf7TCS6wsG8iOT4uSQ36LlvwVl_sVPijGK-Ao-iLVcVeLI-6HRCRBhNEtGW2uLYrOd5ELvt13ZmpxE0LX2ZfYyUy8CboCxo1hJdlGXklo3v8Qfg847CTR77HUgzLqM/s1600/IMG_6566.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJpwMWL5OLlFjcJUf7TCS6wsG8iOT4uSQ36LlvwVl_sVPijGK-Ao-iLVcVeLI-6HRCRBhNEtGW2uLYrOd5ELvt13ZmpxE0LX2ZfYyUy8CboCxo1hJdlGXklo3v8Qfg847CTR77HUgzLqM/s320/IMG_6566.JPG" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">On behalf of the Mavin Foundation, board member Kelly F. Jackson received the lifetime achievement award. Congratulations to the 2018 Paul Spickard Graduate Student Paper Awardee Haley Pilgrim.</td></tr>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><br />Panel: Canaries in the Race Mine: Global Mixed Race Cultural Studies</strong>March 1, 2018 1:00-2:30pm in Banneker B</div>
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“Looking for Merle – Picturing US Globalization through Asian Female Stars”<br style="box-sizing: border-box;" />LeiLani Nishime, University of Washington</div>
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“Resistance, Rage, and Resilience: QTPOC, disability, and mixed-race identity in the poetry of Kay Ulanday Barret”<br style="box-sizing: border-box;" />Laura Kina, DePaul University</div>
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“As Above, So Between: Gazing at Miss Lala as a Mixed-Race Figure”<br style="box-sizing: border-box;" />Elizabeth Fei, DePaul University</div>
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“Trevor Noah and Racial Liminality in Post-Apartheid South Africa”<br style="box-sizing: border-box;" />Myra Washington, The University of New Mexico</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpe7L_lL2IuhN97Hp0Ost-afqFMMtTShmwg4l5fWs4Ko319BgbRS56X3jz6PHO1DU6laLChJVPiRVvTdkDYSiAnQBsWiDb6Z1BHQY_Nw3KEBaP7dH_OerCCDcnSJlO-4H9eoC1QrRN_WA/s1600/IMG_6503.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpe7L_lL2IuhN97Hp0Ost-afqFMMtTShmwg4l5fWs4Ko319BgbRS56X3jz6PHO1DU6laLChJVPiRVvTdkDYSiAnQBsWiDb6Z1BHQY_Nw3KEBaP7dH_OerCCDcnSJlO-4H9eoC1QrRN_WA/s320/IMG_6503.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">CMRS "Canaries in the Race Mine" panelists: <br />Myra Washington, Elizabeth Fei, LeiLani Nishime, Laura Kina</td></tr>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-69200382981712426032018-01-15T05:55:00.000-08:002018-01-15T05:55:12.215-08:00College Art Association Conference Panel - The Virtual Asian American Art Museum<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="s1" style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><a href="http://www.collegeart.org/" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">College Art Association</a> Conference Panel</strong><br style="box-sizing: border-box;" />“The Virtual Asian American Art Museum: Postwar Japanese American Art in Chicago”<br style="box-sizing: border-box;" />Wednesday, February 21, 2018, 2:00-3:30pm<br style="box-sizing: border-box;" />Room 503, Los Angeles Convention Center</span></div>
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“Chicago: Someday, Somewhere – the Photography of James Numata and Yasuhiro Ishimoto”<br style="box-sizing: border-box;" />Jasmine Alinder, University of Wisconsin-Milwaukee<br style="box-sizing: border-box;" />John Tain, Asia Art Archive</div>
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“Ray Yoshida’s Museum of Extraordinary Values”<br style="box-sizing: border-box;" />Karen Patterson, John Michael Kohler Arts Center</div>
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“Michiko Itatani: Painting the Cosmic Novel”<br style="box-sizing: border-box;" />(Chair) Laura Kina, DePaul University</div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Abstract:</strong><br style="box-sizing: border-box;" />This panel focuses on the work and transnational lives of four Japanese American postwar artists—James Numata (1918–1997), Yasuhiro Ishimoto (1921–2012), Ray Yoshida (1930–2009), and Michiko Itatani (1948–)—featured in the “Chicago-Midwest” module of The Virtual Asian American Art Museum (VAAAM). VAAAM is a large-scale digital humanities project led by New York University Asian/Pacific/American Institute (A/P/A) and the New York University Division of Libraries in partnership with the Smithsonian Institution and the Getty Research Institute that features enhanced access to an array of art and tools for presenting new collaborative scholarship on Asian American art history.</div>
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The “Chicago-Midwest” module geospatially maps the careers of artists in Chicago against known social patterns and settlements in the city. The first portion of this scalable module is a series of submodules highlighting Japanese American artists whose biographies reflect immigration and migration paths of Japanese to Chicago including pre-WWII labor migration, post-WWII Japanese American internment camp resettlement, migration from Hawaii to Chicago, and post-1965 immigration from Japan. The role that institutions such as the Institute of Design and the School of the Art Institute of Chicago had in drawing artists from around the world is examined, as is the role of archives and collections, such as those of the Japanese American Service Committee and the Art Institute of Chicago, in recording and preserving their histories. These artists are historically and/or artistically significant, but have been underrepresented in the canon of art history and master narrative of the Japanese American experience.</div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com11201 S Figueroa St, Los Angeles, CA 90015, USA34.0403207 -118.2695623999999810.059523700000003 -159.57815639999998 58.021117700000005 -76.960968399999985tag:blogger.com,1999:blog-7522322031749269769.post-56559434295654149272018-01-15T05:49:00.001-08:002018-01-15T05:52:12.529-08:00UCSC group show and talk - Spoken/Unspoken: Forms of Resistance<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="s1" style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Mary Porter Sesnon Art Gallery at University of California Santa Cruz presents:</span><i style="box-sizing: border-box;">Spoken/Unspoken: Forms of Resistance</i>February 8 – March 17, 2018</div>
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curated by Shelby Graham and UCSC students</div>
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Featuring work by Ruth-Marion Baruch, <strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Laura Kina</strong>, Hung Liu, Yolanda Lopez, Yoko Ono, Jo Hanson, Irene Lusztig, with artifacts about Angela Davis and posters from the Guerrilla Girls and artists from Self-Help Graphics.</div>
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As part of Santa Cruz’s countywide SPOKEN/UNSPOKEN exhibition series, the Sesnon Art Gallery at the University of California, Santa Cruz highlights a collection of artists and activists engaged with forms of resistance. The term “resistance” can represent various profiles from opposition to struggle; it can also portray resilience, strength, courage, and standing up for basic rights. Many artists examine the strength behind resistance and challenge the status quo from politics to art making.</div>
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<a href="http://art.ucsc.edu/sesnon/spokenunspoken-forms-resistance" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">for more info:</a></div>
<a href="http://art.ucsc.edu/sesnon/spokenunspoken-forms-resistance" style="background-color: white; border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: Lato, sans-serif; font-size: 18px; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;"></a><br />
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<a href="http://art.ucsc.edu/sesnon/spokenunspoken-forms-resistance" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;"></a><strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Laura Kina UCSC artist talk – “Painting Okinawan Identity, Diaspora, and Resistance” Tuesday, February 20, 2018 1:30pm.</strong> Location details forthcoming.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiQkqsNpGnYBRln5KR0MJMbYCoT01168JuW7lRMHBct5TIRZwaNAOumtgDC00T-mMGTcnRsWk81_Widu7vXGjxCnCHP94kKSPZWTsEc6zJVe-6GQOPEXCJ3rXkm03VFy_-8unm-vXjGBU/s1600/1_Kina_Orion_2016_CC_web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1075" data-original-width="900" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiQkqsNpGnYBRln5KR0MJMbYCoT01168JuW7lRMHBct5TIRZwaNAOumtgDC00T-mMGTcnRsWk81_Widu7vXGjxCnCHP94kKSPZWTsEc6zJVe-6GQOPEXCJ3rXkm03VFy_-8unm-vXjGBU/s640/1_Kina_Orion_2016_CC_web.jpg" width="532" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Laura Kina, Orion, 2016</td></tr>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com01156 High St, Santa Cruz, CA 95064, USA36.9940105 -122.0651740000000111.471976000000002 -163.373768 62.516045000000005 -80.756580000000014tag:blogger.com,1999:blog-7522322031749269769.post-33984320265508692512017-12-01T09:00:00.000-08:002018-01-15T05:46:15.557-08:00New book chapter and cover - Rethinking Postwar Okinawa: Beyond American Occupation<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc7L4WaqcGx-VBqfqeEd4ilr9gj4NJgbydApz-PB_2A32O2Vy52szJPyd4O5-4yTXb6OyBLWK_-g4t420UVdVJJIT9kUbp1hS4gt3DFqr8hqtWfsoYdf2qbmr0CsB3kq_2cuCZExxERMY/s1600/RethinkingPostwarOkinawa_frontcover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="676" data-original-width="436" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc7L4WaqcGx-VBqfqeEd4ilr9gj4NJgbydApz-PB_2A32O2Vy52szJPyd4O5-4yTXb6OyBLWK_-g4t420UVdVJJIT9kUbp1hS4gt3DFqr8hqtWfsoYdf2qbmr0CsB3kq_2cuCZExxERMY/s320/RethinkingPostwarOkinawa_frontcover.jpg" width="206" /></a></div>
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<br />On the cover: Laura Kina “Flowers for your Heart” 2007.</div>
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Kina, Laura. “The Black Pacific through Okinawan Eyes: Photographer Mao Ishikawa’s “Hot Days in Camp Hansen!!” and “Life in Philly.” In <a href="https://rowman.com/ISBN/9781498533119/Rethinking-Postwar-Okinawa-Beyond-American-Occupation" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: oblique; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Rethinking Postwar Okinawa: Beyond American Occupation</span></a>, edited by Pedro Iacobelli and Hiroko Matsudo, 149–168. Lanham: MD, Lexington Books, 2017.</div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-25935217112421433192017-11-21T09:00:00.000-08:002018-01-15T05:42:12.392-08:00Video from Queering Contemporary Asian American Art book panel<div dir="ltr" style="text-align: left;" trbidi="on">
<strong>Watch the video</strong> from our Oct 18, 2017 <em>Queering Contemporary Asian American Art</em> book panel at the A/P/A Institute at New York University featuring the editors Laura Kina and Jan Christian Bernabe and presentations by Greyson Hong (artist), Kyoo Lee (John Jay College), Zavé Martohardjono (artist), and Saya Woolfalk (artist):<br />
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<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/dIkroZrAeSs" width="560"></iframe></div>
Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-47909950779833659972017-11-11T09:00:00.000-08:002018-01-15T06:11:06.994-08:00American Studies Association Conference Panel - “Moving Bodies Towards Wonder: Asian American Aesthetics from Anger to Action”<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>American Studies Association<br /> Sat, November 11, 12:00 to 1:45pm</strong><br /> <strong> Panel discussion: “Moving Bodies Towards Wonder: Asian American Aesthetics from Anger to Action”</strong><br /> Hyatt Regency Chicago, New Orleans, Ballroom Level West Tower</h4>
<em>This event is for registered conference attendees only. For more information or to register for the conference, visit <a href="https://www.theasa.net/annual-meeting">American Studies Association website</a>.<br /></em><br />
Chair: Valerie Soe, San Francisco State University<br /> Panelists: Mila Zua, Oregon State University<br /> Laura Kina, DePaul University<br /> Anita Chang, Independent Scholar<br /> Valerie Soe, San Francisco State University<br />
<strong><br />Abstract<br /> </strong>The impulse to give in to despair, anxiety, pain, and anger hinders the ability of many of us to effectively respond to the increased inequities, challenges to civil liberties, and the illegal and unethical restrictions proposed by the current administration. Whereas such negative feelings can immobilize and stultify, wonder moves bodies towards action. As Sara Ahmed points out, “Wonder is what energizes the very hope of transformation, the very will to politics.” This roundtable looks at the ways in which Asian American aesthetics of dissent are involved in creative labors and affective productions which seek to un-learn and un-feel dominant epistemologies borne from hetero-patriarchal modernities, globalizing forces, and institutional aporia. How can we induce wonder and movement through a pedagogical engagement with visual culture? What can Asian American aesthetics of dissent in particular teach us about the wondrous affects and pleasures of transgression, undisciplinarity, and resistance? Bringing together activists, makers, curators, and educators, this roundtable explores the unmaking of the anger and pain through Asian American bildungsroman narratives, aesthetic genealogies, queer futurities, and critical cosmopolitanisms in film and visual arts. Mila Zuo examines the “cinematic aesthetics of wondrous pain” in her short experimental film, “Carnal Orient,” and the Asian American queer film, “Spa Night.” Jason Coe explores Ang Lee’s coming-of-age films in order to investigate other possibilities of global modernities through alternative masculine subject formations. Valerie Soe investigates how an instance of conflict at San Francisco State University’s College of Ethnic Studies reveals the need for a counternarrative to the fraught and dangerous times we are entering. Anita Chang looks at “critical cosmopolitanism” as a way of thinking through difference and interconnectedness in teaching transnational cinemas. Laura Kina’s discusses her work as a curator and editor to explore the importance of historicizing failure in engendering queer political and artistic dissent oriented toward the future. The goal of the roundtable is to discuss the critical relationships between everyday resistances, pedagogy, and visual arts. What new socialities and publics are forged through an aesthetic engagement with wonder? How can Asian American creative praxes of dissent help us imagine a more hopeful and inclusive future, even as Trump’s presidency threatens to hurtle us back to the the exclusionary racialized histories of the past? What tools can we as scholars, artists, and educators use to make the leap from anger to action?</div>
Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0151 E Upper Wacker Dr, Chicago, IL 60601, USA41.8875991 -87.62189339999997617.9068241 -128.93048739999998 65.868374100000011 -46.313299399999977tag:blogger.com,1999:blog-7522322031749269769.post-18417077475713859262017-10-02T09:00:00.000-07:002018-01-15T06:04:44.139-08:00NYU book panel - Oct 18, 2017<div dir="ltr" style="text-align: left;" trbidi="on">
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<strong>New York University<br /> Wed, October 18, 2017 6:30-8:30pm<br /> Queering Contemporary Asian American Art: Laura Kina, Jan Christian Bernabe, Greyson Hong, Kyoo Lee, Zavé Martohardjono, and Saya Woolfalk</strong></h4>
New York University<br />
19 University Place, Room 102<br />
New York, NY 10003<br /><br />
This event is free and open to the public but please RSVP ahead of time <a href="http://apa.nyu.edu/event/queering-contemporary-asian-american-art-laura-kina-jan-christian-bernabe-greyson-hong-kyoo-lee-zave-martohardjono-and-saya-woolfalk/">HERE</a>.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYyrPYJNdWQqXdJEStVpuwCtTg4TPvawn1amqekICy8on-jDYd47tmpCI9CMYOP1JZNGZA2uy7Wjcu_bRyoGYBDLXFkAlheQX0zoOXtwDpLNwjU0XpnTcwV2A9BMSPkNd3BOEzl4fSFa4/s1600/DSC_0049-WEB.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="400" data-original-width="600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYyrPYJNdWQqXdJEStVpuwCtTg4TPvawn1amqekICy8on-jDYd47tmpCI9CMYOP1JZNGZA2uy7Wjcu_bRyoGYBDLXFkAlheQX0zoOXtwDpLNwjU0XpnTcwV2A9BMSPkNd3BOEzl4fSFa4/s400/DSC_0049-WEB.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div style="text-align: left;">
<span style="font-size: x-small;">Saya Woolfalk, <em style="text-align: left;">Chimera</em><span style="text-align: left;">, 2013, from the Institute of Empathy project</span>Digital video and mixed media installation installed at MOCA Taipei, Taiwan<br />Courtesy of the artist and MOCA Taipei</span></div>
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<strong>Presented by the Asian/Pacific/American Institute at NYU. Cosponsored by the NYU Center for the Study of Gender and Sexuality.</strong><br />
<strong><br /></strong>
<a href="http://www.queeringcontemporaryasianamericanart.com/"><em>Queering Contemporary Asian American Art</em></a> (University of Washington Press, 2017), edited by <strong>Laura Kina</strong> (DePaul University) and <strong>Jan Christian Bernabe </strong>(Center of Art and Thought), brings together artists and scholars to challenge normative assumptions, essentialism, and methodologies within the study of Asian American art and visual culture. The featured essays, artist interviews, and artworks explore the multiple axes of race and identity, queer bodies and forms, kinship and affect, and digital identities and performances.<br /><br />
Kina and Bernabe met at the A/P/A Institute at NYU’s 2012 NEH Summer Institute, “Re-envisioning American Art History: Asian American Art, Research, and Teaching,” which was the genesis for their new book. We are excited to welcome them back to A/P/A alongside contributors <strong>Greyson Hong</strong> (artist), <strong>Kyoo Lee</strong> (John Jay College), <strong>Zavé Martohardjono</strong> (artist), and <strong>Saya Woolfalk</strong> (artist) to discuss and celebrate the publication.<br />
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com18 Washington Mews, New York, NY 10003, USA40.731497200000007 -73.99603730000001216.750724200000008 -115.30463130000001 64.7122702 -32.687443300000012tag:blogger.com,1999:blog-7522322031749269769.post-62924451731393415702017-07-01T09:00:00.000-07:002018-01-15T06:21:14.230-08:00Queer Horizons summer 2017 online exhibition<div dir="ltr" style="text-align: left;" trbidi="on">
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3kHgAT2-ZajniRefPh_gObSZO2x5a8i0Hl0aVUzH6gd6gHJtUCIdI4QSfCdoIji4C2P67ZEMJ2mV9O_xgMxYmLaxHfdJAybEOweWaPP8BkXkZPBdSULUD7BnLqwmuYWlU4XV9lSSTBIM/s1600/Queer-Horizons-Erin.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="649" data-original-width="800" height="323" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3kHgAT2-ZajniRefPh_gObSZO2x5a8i0Hl0aVUzH6gd6gHJtUCIdI4QSfCdoIji4C2P67ZEMJ2mV9O_xgMxYmLaxHfdJAybEOweWaPP8BkXkZPBdSULUD7BnLqwmuYWlU4XV9lSSTBIM/s400/Queer-Horizons-Erin.png" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Queer Horizons Summer 2017</td></tr>
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<h4>
<br /> Visit <strong>"<a href="http://centerforartandthought.org/work/project/queer-horizons">Queer Horizons</a>"</strong> curated by <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1528071750&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/jbernabe?fref=mentions">Jan Christian Bernabe</a> and <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=723923332&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/laura.kina1?fref=mentions">Laura Kina</a> for the Center for Art and Thought. The exhibition was released in staggered waves over the summer 2017 and the whole exhibition is archived permanently on CA+T’s website <a href="http://the%20whole%20exhibition%20are%20archived%20permanently%20on%20ca+t%E2%80%99s%20website./">here</a>.</h4>
"Queer Horizons" features the work of Asian American and Asian diasporic artists whose work envisions a queer future that unsettles the past, disrupts the present, and imagines new worlds beyond the<span class="text_exposed_show"> limits of the horizon.<br /></span><br />
Contributors to the virtual show include: <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1049891673&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/anida.ali?fref=mentions">Anida Yoeu Ali</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=501545689&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/sbhaumik?fref=mentions">Sita Bhaumik</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=692772905&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/kim.anno?fref=mentions">Kim Anno</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1233303611&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/wafaa.bilal.79?fref=mentions">Wafaa Bilal</a>, Greyson Hong, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1262082982&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/iamKiam?fref=mentions">Kiam Marcelo Junio</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1183350906&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/vietle365?fref=mentions">Việt Lê</a>,<a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1501461&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/maya.mackrandilal?fref=mentions">Maya Mackrandilal</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100000305089111&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/zave.martohardjono?fref=mentions">Zavé Martohardjono</a>, <a href="http://www.erin-obrien.com/">Genevieve Erin O'Brien</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=4801177&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/jsongco?fref=mentions">Jeffrey Augustine Songco</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100010575818089&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/tina.t.takemoto?fref=mentions">Tina Takemoto</a>, and <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=678310330&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/saya.woolfalk?fref=mentions">Saya Woolfalk</a>.<br /><br />
"Queer Horizons" appears in conjunction with the publication of Laura Kina and Jan Christian Bernabe’s book, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=1255258927928968&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/QueeringContemporaryAsianAmericanArt/?fref=mentions">Queering Contemporary Asian American Art</a> (University of Washington Press, 2017), which CA+T co-sponsored (<a href="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.queeringcontemporaryasianamericanart.com%2F&h=ATPcE1hJQy0EaCY8Mmz5fJGHeCffHcIuUlVvYNVgoUg0iQgxvc0VIgY0bk6GMU7xhebgk6PKHYYT5lL4Qso2stjY9EmDqaZ3NvVfhkHWHoWkEdIaP8IFRUr4fQ6XtW87t5QP--D6PD4CaR0DvIEWLX8abNocQRgXwyKVN-qP&enc=AZOegGbD7Jb9J50KdVP8qyv3_miemwqYKzuKKH7aYWaz620hDdBF2RkANCNDlFSkzeJK8-KFYq-FhkjPPmyNAKQbau4E_Cj86V_G0V3-dw_YdWLRNkFtzMj8hlvxntFv3rxvO1uw4ow382d-5aaul8zJjjRy2_M6A129obrl8ACvMmYOEThN0biBfQEuOKiK9hA&s=1" rel="nofollow noopener" target="_blank">http://www.queeringcontemporaryasianamericanart.com/</a>).</div>
Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-5183299013529081112017-06-26T07:45:00.001-07:002017-06-26T07:45:32.535-07:00Art Net News Book Review<div dir="ltr" style="text-align: left;" trbidi="on">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6I5qh_TpBvP8J5Q5G12KPveGGcpVl_ZAiMZRrWWbXcjpFNaNJu05TN6eLHTzkHb9EHh044Wmturh-dSW-ouuBPqLGHNfp2oLZ7eG7ITjl1_H8Ov1oVOFR7VHbPmEwn24x2gJCDlbnlAg/s1600/Kina_Bernabe_Plate_11_Le_CharliesAngels-1024x683.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="683" data-original-width="1024" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6I5qh_TpBvP8J5Q5G12KPveGGcpVl_ZAiMZRrWWbXcjpFNaNJu05TN6eLHTzkHb9EHh044Wmturh-dSW-ouuBPqLGHNfp2oLZ7eG7ITjl1_H8Ov1oVOFR7VHbPmEwn24x2gJCDlbnlAg/s400/Kina_Bernabe_Plate_11_Le_CharliesAngels-1024x683.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Việt Lê (Vietnamese/American, b. 1976). <em style="background-color: white; box-sizing: border-box; color: #7f7f7f; font-family: "Neue Helvetica W01", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 12px;">Charlie’s Angels (of History)</em><span style="background-color: white; color: #7f7f7f; font-family: "Neue Helvetica W01", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 12px;">, 2013, <br />from the "Love Bang!" series. Courtesy of the artist.</span></td></tr>
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How the New Queer Asian American Criticism Is Shifting the Way We See Art</h1>
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Artists and scholars shake up the foundations of art history in a new book, 'Queering Contemporary Asian American Art.'</div>
<a href="https://news.artnet.com/about/terence-trouillot-602" style="box-sizing: border-box; color: black; font-family: "Neue Helvetica W01", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px; font-weight: 700; text-decoration-line: none;">Terence Trouillot</a><span style="background-color: white; color: #333333; font-family: "neue helvetica w01" , "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 13px;">,</span><span style="background-color: white; color: #333333; font-family: "neue helvetica w01" , "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 13px;"> </span><time datetime="2017-06-24T12:00:44+00:00" style="box-sizing: border-box; color: #333333; font-family: "Neue Helvetica W01", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 13px;" title="Jun 24, 2017 8:00 AM">June 24, 2017</time><br />
<br />
"<span style="background-color: white; color: #333333; font-family: "neue helvetica w01" , "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px; letter-spacing: 1px;">But via its challenging and diverse reflections, </span><em style="background-color: white; box-sizing: border-box; color: #333333; font-family: "Neue Helvetica W01", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 1px;">Queering Contemporary Asian American Art </em><span style="background-color: white; color: #333333; font-family: "neue helvetica w01" , "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px; letter-spacing: 1px;">shows how the specific questions of Asian American art history make the stakes of resisting a </span><em style="background-color: white; box-sizing: border-box; color: #333333; font-family: "Neue Helvetica W01", "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 14px; letter-spacing: 1px;">homonormative </em><span style="background-color: white; color: #333333; font-family: "neue helvetica w01" , "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px; letter-spacing: 1px;">queer community (i.e. one that models itself after standards of success defined by white privilege and capitalism) even more vivid."</span><br />
<span style="background-color: white; color: #333333; font-family: "neue helvetica w01" , "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px; letter-spacing: 1px;"><br /></span>
<span style="background-color: white; color: #333333; font-family: "neue helvetica w01" , "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px; letter-spacing: 1px;">Read the review: </span><span style="color: #333333; font-family: "neue helvetica w01" , "helvetica neue" , "helvetica" , "arial" , sans-serif;"><span style="font-size: 14px; letter-spacing: 1px;"><a href="https://news.artnet.com/art-world/queering-contemporary-asian-american-art-986825">https://news.artnet.com/art-world/queering-contemporary-asian-american-art-986825</a></span></span><br />
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-84583261205824318142017-06-22T18:24:00.000-07:002017-06-22T18:24:27.361-07:00Summer 2017 Queer Horizons<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaOoFA1YqTzA3V0Efnl8nfOi0Yy8OuvQPEaUNqEZZGZ5Zbb10H8GvYxlA7WY3pSiuW_X7t5XcdqQg1hftaX7tbYLtho-4NiWPMhjmrmPrgQVNK7JNslUX7AYvWz2TyCWBBHKyhW0LzOZ4/s1600/QueerHorizons.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="649" data-original-width="800" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaOoFA1YqTzA3V0Efnl8nfOi0Yy8OuvQPEaUNqEZZGZ5Zbb10H8GvYxlA7WY3pSiuW_X7t5XcdqQg1hftaX7tbYLtho-4NiWPMhjmrmPrgQVNK7JNslUX7AYvWz2TyCWBBHKyhW0LzOZ4/s400/QueerHorizons.png" width="400" /></a><br /></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">“Queer Horizons”</strong> curated by <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1528071750&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/jbernabe?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Jan Christian Bernabe</a> and <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=723923332&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/laura.kina1?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Laura Kina</a> for the Center for Art and Thought is now <a href="http://www.centerforartandthought.org/work/project/queer-horizons" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">online</a>! Works by by <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1501461&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/maya.mackrandilal?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Maya Mackrandilal</a>, Greyson Hong, and <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=692772905&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/kim.anno?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Kim Anno</a> are currently up, and more artwork will follow in the upcoming weeks.</div>
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“Queer Horizons” features the work of Asian American and Asian diasporic artists whose work envisions a queer future that unsettles the past, disrupts the present, and imagines new worlds beyond the<span class="text_exposed_show" style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> limits of the horizon.</span></div>
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Contributors to the virtual show include: <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1049891673&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/anida.ali?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Anida Yoeu Ali</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=501545689&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/sbhaumik?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Sita Bhaumik</a>, Kim Anno, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1233303611&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/wafaa.bilal.79?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Wafaa Bilal</a>, Greyson Hong, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1262082982&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/iamKiam?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Kiam Marcelo Junio</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=1183350906&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/vietle365?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Việt Lê</a>, Maya Mackrandilal, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100000305089111&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/zave.martohardjono?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Zavé Martohardjono</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=4801177&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/jsongco?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Jeffrey Augustine Songco</a>, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=100010575818089&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/tina.t.takemoto?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Tina Takemoto</a>, and <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/user.php?id=678310330&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/saya.woolfalk?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Saya Woolfalk</a>.</div>
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Contributors’ works are published in staggered waves from June 22 until all the works have been revealed, after which the whole exhibition are archived permanently on CA+T’s website.</div>
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Please keep checking back on the website for new works and share the link!<br style="box-sizing: border-box;" />Link: <a href="http://www.centerforartandthought.org/work/project/queer-horizons" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">http://www.centerforartandthought.org/work/project/queer-horizons</a></div>
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“Queer Horizons” appears in conjunction with the publication of Laura Kina and Jan Christian Bernabe’s book, <a class="profileLink" data-hovercard-prefer-more-content-show="1" data-hovercard="/ajax/hovercard/page.php?id=1255258927928968&extragetparams=%7B%22fref%22%3A%22mentions%22%7D" href="https://www.facebook.com/QueeringContemporaryAsianAmericanArt/?fref=mentions" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Queering Contemporary Asian American Art</a> (University of Washington Press, 2017), which CA+T co-sponsored (<a href="https://l.facebook.com/l.php?u=http%3A%2F%2Fwww.queeringcontemporaryasianamericanart.com%2F&h=ATPcE1hJQy0EaCY8Mmz5fJGHeCffHcIuUlVvYNVgoUg0iQgxvc0VIgY0bk6GMU7xhebgk6PKHYYT5lL4Qso2stjY9EmDqaZ3NvVfhkHWHoWkEdIaP8IFRUr4fQ6XtW87t5QP--D6PD4CaR0DvIEWLX8abNocQRgXwyKVN-qP&enc=AZOegGbD7Jb9J50KdVP8qyv3_miemwqYKzuKKH7aYWaz620hDdBF2RkANCNDlFSkzeJK8-KFYq-FhkjPPmyNAKQbau4E_Cj86V_G0V3-dw_YdWLRNkFtzMj8hlvxntFv3rxvO1uw4ow382d-5aaul8zJjjRy2_M6A129obrl8ACvMmYOEThN0biBfQEuOKiK9hA&s=1" rel="nofollow noopener" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;" target="_blank">http://www.queeringcontemporaryasianamericanart.com/</a>).</div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-8919300029834145612017-05-01T18:27:00.000-07:002017-06-22T18:29:40.170-07:00New Book! Queering Contemporary Asian American Art<div dir="ltr" style="text-align: left;" trbidi="on">
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<article class="post-750 post type-post status-publish format-standard has-post-thumbnail hentry category-events category-news tag-art tag-asian-american tag-queer" id="post-750" style="border: 0px; box-sizing: border-box; font-family: inherit; font-size: 18px; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><div class="entry-content" style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxzK5sfki4jXat4fMYxsuAPqX0sqyEHCWk8bGD_7fnCaC9E_bbr5V4x4zAukGyn_upgoQNHhLSNeXQcZ-zQRaWTG7Spzew2GEv14s-lxbIoQPLAKN7A0vf8S8eD29rNDrXHqD7o0xV8ls/s1600/QCAAA.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="637" data-original-width="555" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxzK5sfki4jXat4fMYxsuAPqX0sqyEHCWk8bGD_7fnCaC9E_bbr5V4x4zAukGyn_upgoQNHhLSNeXQcZ-zQRaWTG7Spzew2GEv14s-lxbIoQPLAKN7A0vf8S8eD29rNDrXHqD7o0xV8ls/s400/QCAAA.png" width="347" /></a></div>
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<strong style="border: 0px; box-sizing: border-box; font-family: inherit; font-style: inherit; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-shadow: rgba(190 , 190 , 190 , 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: oblique; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; transition: 0.3s; vertical-align: baseline;"><br /><a href="http://www.washington.edu/uwpress/search/books/KINQUE.html" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Queering Contemporary Asian American Art</a></span>.</strong><br />
Edited by Laura Kina and Jan Christian Bernabe<br />
Foreword by Susette Min<br />
Afterword by Kyoo Lee<br />
University of Washington Press, 2017.<br />
$40 paperback (ISBN: 9780295741376), 304 pp., 47 illus., 36 in color, 7 x 10 in.</div>
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<a href="http://www.laurakina.com/wp-content/uploads/2017/03/Kina-February-2017.pdf" style="border-bottom-color: rgba(190, 190, 190, 0.3); border-bottom-style: solid; border-image: initial; border-left-color: initial; border-left-style: initial; border-right-color: initial; border-right-style: initial; border-top-color: initial; border-top-style: initial; border-width: 0px 0px 1px; box-shadow: rgba(190, 190, 190, 0.3) 0px -5px 0px inset; box-sizing: border-box; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px !important; padding: 0px; text-decoration-line: none; transition: 0.3s; vertical-align: baseline;">Download the flier to save 30%</a></div>
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<i style="box-sizing: border-box;">Queering Contemporary Asian American Art</i> takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances.</div>
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Using the verb and critical lens of “queering” to capture transgressive cultural, social, and political engagement and practice, the contributors to this volume explore the connection points in Asian American experience and cultural production of surveillance states, decolonization and diaspora, transnational adoption, and transgender bodies and forms, as well as heteronormative respectability, the military, and war. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production.</div>
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<b style="box-sizing: border-box;">LAURA KINA </b>is an artist and a Vincent de Paul Professor of Art, Media, and Design at DePaul University. She is the coeditor of <i style="box-sizing: border-box;">War Baby / Love Child: Mixed Race Asian American Art</i>.</div>
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<b style="box-sizing: border-box;">JAN CHRISTIAN BERNABE</b> is the operations, new media, and curatorial director at the Center for Art and Thought.</div>
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The contributors are Mariam B. Lam, Eun Jung Park, Alpesh Kantilal Patel, Valerie Soe, and Harrod J Suarez. Featured artists are Anida Yoeu Ali, Kim Anno, Eliza Barrios, Sita Kuratomi Bhaumik, Wafaa Bilal, Hasan Elahi, Greyson Hong, Kiam Marcelo Junio, Lin + Lam (H. Lan Thao Lam and Lana Lin), Viet Le, Maya Mackrandilal, Zavé Martohardjono, Jeffrey Augustine Songco, Tina Takemoto, Kenneth Tam, and Saya Woolfalk.</div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-71873232012594399172017-02-22T03:39:00.002-08:002017-02-22T03:39:46.503-08:00Hapa Japan Fest and Critical Mixed Race Studies Conference in LA<div dir="ltr" style="text-align: left;" trbidi="on">
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<h1 style="text-align: center;">
Critical Mixed Race Studies Conference<br />Feb 24-26, 2017 at USC in LA</h1>
It's been over a year in the works and it's finally here! Along with Chandra Crudup of Mixed Roots Stories, I am the co-organizer of the <strong><a data-cke-saved-href="https://criticalmixedracestudies.wordpress.com/" href="https://criticalmixedracestudies.wordpress.com/" target="_blank">4<sup>th</sup> Critical Mixed Race Studies Conference</a></strong><br /><br />
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<strong><span style="font-size: 24px;">“Explorations in Trans (gender, gressions, migrations, racial)<br />Fifty Years After <em>Loving v. Virginia</em>”<br />Feb. 24-26, 2017<br />University of Southern California</span></strong></div>
<br />The conference is hosted by the <a data-cke-saved-href="http://dornsife.usc.edu/cjrc/" href="http://dornsife.usc.edu/cjrc/" target="_blank">Shinso Ito Center for Japanese Religions and Culture</a> and includes over 50 panels, roundtables, and caucus sessions organized by the Critical Mixed Race Studies Association as well as 2 feature film screenings, the LIVE Performance show, and Performance Sampler produced by <a data-cke-saved-href="http://mixedrootsstories.com/" href="http://mixedrootsstories.com/" target="_blank">Mixed Roots Stories</a>. CMRS 2017 is pleased to run concurrently with the <a data-cke-saved-href="http://dornsife.usc.edu/cjrc/hapa-japan-festival-2017/" href="http://dornsife.usc.edu/cjrc/hapa-japan-festival-2017/">Hapa Japan Festival</a><a data-cke-saved-href="http://hapajapan.com/" href="http://hapajapan.com/" target="_blank"> </a>February 22- 26, 2017.<br /><br />A huge thank you to the CMRS programming and site committees, my fellow Critical Mixed Race Studies Association board members, our fiscal agent <a data-cke-saved-href="http://www.advancingjustice-chicago.org/" href="http://www.advancingjustice-chicago.org/" target="_blank">Asian Americans Advancing Justice Chicago</a>, our social media coordinator Sharon Chang, and all of the volunteers from <a data-cke-saved-href="https://www.facebook.com/uschapasc/" href="https://www.facebook.com/uschapasc/" target="_blank">HapaSC</a>, <a data-cke-saved-href="http://www.mascsite.org/" href="http://www.mascsite.org/" target="_blank">MASC</a>, and the staff at USC, especially Shannon Maiko Takushi and Duncan Williams, who are helping make this all possible.<br /><br /><strong>I will be speaking at two sessions:</strong><br />
Saturday, Feb 25, 2016 4:30-6:00pm<br />Ronald Tutor Campus Center Room 227<br />3607 Trousdale Pkwy, Los Angeles, CA 90089<br />
<strong>MIXED ROOTS STORIES and HAPA JAPAN Panel: Beyond Binaries: Contemporary Mixed, Queer, Trans, Asian Diasporic Art</strong><br /><strong>CHAIR</strong> Laura Kina, DePaul University<br />
<em>More Than Love on The Horizon: Queer Projections</em>, Genevieve Erin O’Brien, artist<br /><em>Choreographing the Liminal: Performing Queer, Trans, and Mixed-Race</em>, Zavé Gayatri Martohardjono, artist<br /><em>Uchinanchu: Okinawan Diaspora and Mixed Race Identity</em>, <strong>Laura Kina</strong>, DePaul University<br />
Sunday, Feb. 26, 2017 1:00-2:30pm<br />Ronald Tutor Campus Center Room 320A<br />3607 Trousdale Pkwy, Los Angeles, CA 90089<br />
<br /><strong>ROUNDTABLE Transferring Race: Mixed Parents Reflect on Raising Mixed Children<br />CHAIR </strong>Kelly F. Jackson, Arizona State University<br />
Kelly F. Jackson, Arizona State University<br />Sharon H. Chang, author activist<br />Jeff Chiba Stearns, filmmaker<br />Sonia Smith-Kang, Multiracial Americans of Southern California (MASC)<br /><strong>Laura Kina</strong>, DePaul University<br />Farzana Nayani, Advisor, Multiracial Americans of Southern California (MASC)<br />Chris L. Terry, author<br /><br /><br /><span style="font-size: 18px;"><strong>Visit our new websites to download the complete program and register:</strong></span> <a href="https://criticalmixedracestudies.wordpress.com/">https://criticalmixedracestudies.wordpress.com/</a><br />
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In addition to three full days of academic sessions, there is a line up of evening special events that are open to the public. Please join us! Make sure to get tickets through the Eventbrite links below.<br />
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<a data-cke-saved-href="http://depaul.us5.list-manage.com/track/click?u=e80f9aab434abae2b4b391cae&id=62ee5e5395&e=974d654d60" href="http://depaul.us5.list-manage.com/track/click?u=e80f9aab434abae2b4b391cae&id=62ee5e5395&e=974d654d60" id="yui_3_16_0_ym19_1_1487758648606_3807" rel="nofollow" target="_blank">FREE Friday Feb 24, 2017 Mixed Roots LIVE Performance tickets</a><br />
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Fri, Feb 24, 2017 6:00pm-7:30pm<br />Mixed Roots Stories LIVE performance featuring Robert Farid Karimi, Lisa Marie Rollins, Fred Sasaki, Carly Bates, Zav. Gayatri Martohardjono, and Crystal Shaniece Roman</div>
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<a data-cke-saved-href="http://depaul.us5.list-manage.com/track/click?u=e80f9aab434abae2b4b391cae&id=decc53b662&e=974d654d60" href="http://depaul.us5.list-manage.com/track/click?u=e80f9aab434abae2b4b391cae&id=decc53b662&e=974d654d60" id="yui_3_16_0_ym19_1_1487758648606_3667" rel="nofollow" target="_blank">FREE (with CMRS badge) Saturday Feb 25, 2017 Hapa Japan Concert tickets</a><br />Sat, Feb 25, 2017 7:00-9:00pm<br />Hapa Japan Concert featuring Kina Grannis, Mari. Digby, Andy Suzuki & the Method, and Kris Roche</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq_6aZ3M9tWBRB_OR8AqG1bzUgMp6Uw3L9W5zZJ0d0qdh89ZDeI-DBMEA1gs4cS_pXREuhprXLbMH2S6KksxDh_t6QxMP7lZdkh-Es2-wOYzsUN57uVW7BhTGshe7a4rH5QDkFpbvtOwc/s1600/6_CMRS17_Feb26_MixedMatchfilm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="120" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq_6aZ3M9tWBRB_OR8AqG1bzUgMp6Uw3L9W5zZJ0d0qdh89ZDeI-DBMEA1gs4cS_pXREuhprXLbMH2S6KksxDh_t6QxMP7lZdkh-Es2-wOYzsUN57uVW7BhTGshe7a4rH5QDkFpbvtOwc/s400/6_CMRS17_Feb26_MixedMatchfilm.jpg" width="400" /></a></div>
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<a data-cke-saved-href="http://depaul.us5.list-manage.com/track/click?u=e80f9aab434abae2b4b391cae&id=d461219b47&e=974d654d60" href="http://depaul.us5.list-manage.com/track/click?u=e80f9aab434abae2b4b391cae&id=d461219b47&e=974d654d60" id="yui_3_16_0_ym19_1_1487758648606_3714" rel="nofollow" target="_blank">FREE Sunday, Feb 26, 2017 Closing Session and Mixed Match screening tickets</a><br />Sun, Feb 26, 2017 5:00pm-7:30pm<br />Closing Reception and documentary film screening <em>Mixed Match</em> by Jeff Chiba Stearns<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcn_0O3uVFjvThsXSYNgB4WGOUn_fCu52D_KuzWb_ipFG9EYCmzz4pE9uVasHIO7M3wZ_a5p9YYCVu07nkjiCEMjdmhe0tHiuzONcKqtDTJ6yJvD7Qldm4P4K9kYKNQPAjY9Y8_KyfK6k/s1600/logo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="60" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcn_0O3uVFjvThsXSYNgB4WGOUn_fCu52D_KuzWb_ipFG9EYCmzz4pE9uVasHIO7M3wZ_a5p9YYCVu07nkjiCEMjdmhe0tHiuzONcKqtDTJ6yJvD7Qldm4P4K9kYKNQPAjY9Y8_KyfK6k/s320/logo.png" width="320" /></a></div>
<h2 style="text-align: center;">
FEBRUARY 22 - 26, 2017 LOS ANGELES, CA</h2>
<h3 style="text-align: center;">
5 DAYS OF PANELS, MUSIC, FOOD, & FILM SCREENINGS</h3>
<div style="text-align: center;">
The Hapa Japan Festival celebrates mixed race and mixed roots Japanese people and culture. Come join us at the Japanese American National Museum and the USC (University of Southern California) campus in Los Angeles.<br /><a data-cke-saved-href="http://hapajapan.com/" href="http://hapajapan.com/" target="_blank">http://hapajapan.com/</a></div>
<div style="text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXR1FEKwGJmcwcPDCPX8vrgRcqVurE_mfDjD1Xx2e-mOM81WVLfG-3T4dPdH1GAjOORnxnUbC9nBOe9m-tLWSOZWmz1oWu1ebi47K630LNpqnyPlAcR1ZSPmcj2FtU0k6TMdqaWGcu7nI/s1600/HapaJapan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="154" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXR1FEKwGJmcwcPDCPX8vrgRcqVurE_mfDjD1Xx2e-mOM81WVLfG-3T4dPdH1GAjOORnxnUbC9nBOe9m-tLWSOZWmz1oWu1ebi47K630LNpqnyPlAcR1ZSPmcj2FtU0k6TMdqaWGcu7nI/s320/HapaJapan.jpg" width="320" /></a></div>
<br />
<br />
<div style="text-align: center;">
MY ARTWORK AND A PERSONAL ESSAY ARE FEATURED IN VOL 2 OF THIS TWO VOLUME COLLECTION OF ESSAYS SURVEYING THE HISTORY OF GLOBAL MIXED-RACE IDENTITIES OF PERSONS OF JAPANESE DESCENT<strong>:</strong></div>
<strong><div style="text-align: center;">
<strong>HAPA JAPAN Volumes 1 & 2 Now Available</strong></div>
</strong><br />
<hr style="text-align: center;" />
<br />
<div style="text-align: center;">
“Now, more than ever, Hapa Japan is essential reading for all citizens of our transcultural, transnational, boundless, borderless, beautifully mixed-up world.”</div>
<div style="text-align: center;">
- RUTH OZEKI</div>
<em><div style="text-align: center;">
<em>AWARD-WINNING NOVELIST AND FILMMAKER;</em></div>
<div style="text-align: center;">
<em>AUTHOR OF A TALE FOR THE TIME BEING</em></div>
</em><br />
<div style="text-align: center;">
<b><a href="https://www.amazon.com/Hapa-Japan-Duncan-Ryuken-Williams/dp/1885030533/ref=sr_1_2?ie=UTF8&qid=1487665060&sr=8-2&keywords=hapa+japan" target="_blank"><br /></a></b></div>
<div style="text-align: center;">
<b><a href="https://www.amazon.com/Hapa-Japan-Duncan-Ryuken-Williams/dp/1885030533/ref=sr_1_2?ie=UTF8&qid=1487665060&sr=8-2&keywords=hapa+japan" target="_blank">Buy Volume 1</a></b></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<a href="https://www.amazon.com/Hapa-Japan-Identities-Representations-2/dp/1885030541/ref=sr_1_1?ie=UTF8&qid=1487665060&sr=8-1&keywords=hapa+japan" target="_blank"><b>Buy Volume 2</b></a></div>
<div style="text-align: center;">
<br /></div>
</div>
Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com1tag:blogger.com,1999:blog-7522322031749269769.post-59451865498524276342016-11-15T07:19:00.000-08:002016-11-15T07:19:18.620-08:002017 Mixed Roots Stories Calendar<div dir="ltr" style="text-align: left;" trbidi="on">
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com1tag:blogger.com,1999:blog-7522322031749269769.post-1364070653850392782016-09-06T04:18:00.001-07:002016-09-06T04:22:59.924-07:00Sept 2016 Studio News - Shows and talks in Austria, CA, and Chicago<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="background: white; margin-bottom: 22.65pt; margin-left: 0in; margin-right: 0in; margin-top: 0in; vertical-align: baseline;">
<h3 style="text-align: left;">
<span style="color: #191919; font-family: Arial, Helvetica, sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Fall
2016 - Group show in Austria, solo and group show in CA, and artist talks in
Chicago.</span></h3>
</div>
<div style="background: white; margin-bottom: 22.65pt; margin-left: 0in; margin-right: 0in; margin-top: 0in; vertical-align: baseline;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<h4 style="text-align: left;">
<span style="color: #191919; font-family: Arial, Helvetica, sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Group
show:</span></h4>
<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">The Hilger Collection Part 2: Painted
Surfaces<br />
September 16, 2016-January 21, 2017<br />
Opening: Friday, Sept 16, 2016 7pm<br />
</span></b><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">HilgerBROTKunsthalle<br />
Absberggasse 27, Steige III, 2. Stock<br />
1100 Wien, Austria<br />
T: +43 1 512 53 15 200<br />
<a href="http://www.brotkunsthalle.com/">www.brotkunsthalle.com<br />
</a>Info:<span class="apple-converted-space"> </span><a href="mailto:office@hilgercollection.com">office@hilgercollection.com<br />
</a>HilgerBROTKunsthalle is a project of <a href="http://www.hilger.at/">Galerie
Ernst Hilger</a><br />
Opening hours: Thu-Sat noon-6pm</span><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><br />
<br />
</span><span style="color: #191919; font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">This is the second of a five
part exhibition series presenting the private collection of Ernst Hilger. Günter
Schönberger, managing director of Bildrecht, will speak at the opening.<br />
</span><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><br />
<b style="mso-bidi-font-weight: normal;">With works by:</b> Asgar/Gabriel,
Christian Ludwig Attersee, Ákos Birkás, Tomislav Buntak, Bruno Ceccobelli,
Gunter Damisch, Oliver Dorfer, Hadrien Dussoix, Erró, FAILE, Shepard Fairey,
Andreas Fiala, Vasilena Gankovska, Franz Grabmayr, Anton Henning, Alfred
Hrdlicka, Leiko Ikemura, <b style="mso-bidi-font-weight: normal;">Laura Kina</b>,
Peter Klasen, Karl Korab, Peter Krawagna, Andreas Leikauf, Felix Malnig,
Jacques Monory, Nikolaus Moser, Max Neumann, Amin Nourani, Lukas Pusch, Bernard
Rancillac, Simona Reisch, Franz Ringel, Hubert Schmalix, Vladimír Skrepl, Hans
Staudacher, Stinkfish, Miha Štrukelj, Cédric Teisseire, Alexander Tinei,
Christoph Urwalek,<span class="apple-converted-space"> </span>Maja Vukoje,
Olav Westphalen, Rainer Wölzl, Leo Zogmayer. <br style="mso-special-character: line-break;" />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<h4 style="text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Solo show:</span></h4>
<span style="font-family: Arial, Helvetica, sans-serif; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">
<strong style="box-sizing: border-box; font-style: inherit; outline: 0px;"><i><span style="border: none 1.0pt; padding: 0in;"><span style="box-sizing: border-box; font-weight: inherit; outline: 0px;">Uchinanchu: The Art of Laura Kina</span></span></i></strong><br />
<strong style="box-sizing: border-box; font-style: inherit; outline: 0px;"><span style="border: none 1.0pt; padding: 0in;">June 10, 2016–October 1, 2016</span></strong><br />
<strong style="box-sizing: border-box; font-style: inherit; outline: 0px;"><span style="border: none 1.0pt; padding: 0in;">Kwan Fong Gallery of Art and Culture</span></strong><br />
<b>Laura Kina Lecture: Thursday, Sept. 29, 2016 | 6 p.m. Overton Hall</b><br />
<b>Artist’s Reception: Saturday, Oct. 1, 2016 | 6 p.m.</b><br />
California Lutheran University<br />
60 West Olsen Road #3800<br />
Thousand Oaks, CA 91320<br />
<a href="https://blogs.callutheran.edu/kwanfong/" style="border-bottom-color: rgba(190, 190, 190, 0.298039); box-shadow: rgba(190, 190, 190, 0.298039) 0px -5px 0px inset; box-sizing: border-box; font-style: inherit; font-weight: inherit; outline: 0px !important; transition: 0.3s;"><span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0in; padding: 0in; text-decoration: none; text-underline: none;">https://blogs.callutheran.edu/kwanfong/</span></a><br />
<a href="https://www.callutheran.edu/map/" style="border-bottom-color: rgba(190, 190, 190, 0.298039); box-shadow: rgba(190, 190, 190, 0.298039) 0px -5px 0px inset; box-sizing: border-box; font-style: inherit; font-weight: inherit; outline: 0px !important; transition: 0.3s;"><span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0in; padding: 0in; text-decoration: none; text-underline: none;">https://www.callutheran.edu/map/</span></a><br />
<strong style="box-sizing: border-box; font-style: inherit; outline: 0px;"><span style="border: none 1.0pt; font-weight: normal; padding: 0in;"><span style="box-sizing: border-box; font-weight: inherit; outline: 0px;">Hours:
Mon-Sat, 8am-8pm</span></span></strong></span><br />
<h4 style="text-align: left;">
<span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><strong style="box-sizing: border-box; font-style: inherit; outline: 0px;"><span style="border: none 1.0pt; font-weight: normal; padding: 0in;"><span style="box-sizing: border-box; font-family: Arial, Helvetica, sans-serif; font-weight: inherit; outline: 0px;"><br />Group show:</span></span></strong></span></h4>
<span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><strong><i><span style="border: none 1.0pt; font-family: Arial, Helvetica, sans-serif; padding: 0in;">Material Culture</span></i></strong></span><br />
<strong style="box-sizing: border-box; font-style: inherit; outline: 0px;"><span style="border: none 1.0pt; font-family: Arial, Helvetica, sans-serif; padding: 0in;">August 26, 2016–October 27, 2016</span></strong><br />
<strong style="box-sizing: border-box; font-style: inherit; outline: 0px;"><span style="border: none 1.0pt; font-family: Arial, Helvetica, sans-serif; padding: 0in;">William Rolland Gallery of Fine Art</span></strong><br />
<span style="font-family: Arial, Helvetica, sans-serif;">Opening reception: Saturday, September 3, 2016 6–8pm<span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: PMingLiU; mso-fareast-font-family: PMingLiU; mso-hansi-theme-font: minor-latin;"><br />
</span><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">California Lutheran University</span><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: PMingLiU; mso-fareast-font-family: PMingLiU; mso-hansi-theme-font: minor-latin;"><br />
</span><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">160 Overton Court Road</span><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: PMingLiU; mso-fareast-font-family: PMingLiU; mso-hansi-theme-font: minor-latin;"><br />
</span><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Thousand Oaks, CA 91360<br />
<a href="https://rollandgallery.callutheran.edu/" style="border-bottom-color: rgba(190, 190, 190, 0.298039); box-shadow: rgba(190, 190, 190, 0.298039) 0px -5px 0px inset; box-sizing: border-box; font-style: inherit; font-weight: inherit; outline: 0px !important; transition: 0.3s;"><span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0in; padding: 0in; text-decoration: none; text-underline: none;">https://rollandgallery.callutheran.edu/</span></a><br />
</span><span style="background: white; color: #333333;">Hours: Tues-Fri 10am-4pm, Sat 11-3pm<br />
<b style="mso-bidi-font-weight: normal;"><br />
Artists featured include</b> Boushra Almutawakel, Katherine Cambareri, Teresita
de la Torre, Lalla Essaydi, Kyla Hansen, <b style="mso-bidi-font-weight: normal;">Laura Kina</b>, Ofelia Marquez, Liz Nurenberg, Melanie Pullen, Mandy
Cano Villalobos, and Brankica Zilović Chauvain.</span><span style="font-family: "calibri"; mso-ascii-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></span></div>
<div style="background-color: white; border: 0px; box-sizing: border-box; color: #191919; line-height: 34.0002px; margin-bottom: 1.8889em; outline: 0px; padding: 0px; text-align: left; vertical-align: baseline;">
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: 10.0pt;">Artist Talks:</span></h4>
<span style="font-size: 10.0pt;"><span style="font-family: Arial, Helvetica, sans-serif;">
<b style="mso-bidi-font-weight: normal;">September 22, 2016</b><br />
DePaul University Night at the Art Institute of Chicago 5-7pm<br />
<b style="mso-bidi-font-weight: normal;">Art Institute of Chicago<br />
</b>111 S. Michigan, Chicago, IL 60603<br /><a href="http://www.artic.edu/" target="_blank">http://www.artic.edu/</a>
<br />
Painter Laura Kina considers post-impressionist primitivism in "Looking
back at Gauguin's orientalist gaze: The Ancestors of Tehamana (1893). Meet in
Gallery 246, in European Painting and Sculpture, at 7pm.<br />
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<b style="mso-bidi-font-weight: normal;">DePaul Art Museum<br />
</b>935 W. Fullerton Ave.<br />
Chicago, IL 60614<br /><a href="http://museums.depaul.edu/" target="_blank">http://museums.depaul.edu/</a><br />
DePaul in the Arts Lecture Series<br />
<b style="mso-bidi-font-weight: normal;">Laura Kina artist talk “Uchinanchu”<br />
Thursday, Nov 3, 2016 12-1pm</b></span><span style="font-family: tahoma;"><o:p></o:p></span></span></div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-39480853369119982152016-07-18T14:31:00.000-07:002016-07-18T14:31:26.658-07:00July 19, 2016 Facing Forward: A Panel Discussion on Mixed-Race/Ethnic Japanese Americans and Community<div dir="ltr" style="text-align: left;" trbidi="on">
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<span class="_4n-j fsl">The JASC Legacy Center Presents A “Memories of Now” Seminar Series Presentation<br /> <br /> "FACING FORWARD: A Panel Discussion on Mixed-Race/Ethnic Japanese Americans and Community"<br /> <br />
Co-sponsored by the Chicago Japanese American Historical Society
(CJAHS) and the Japanese American Citizens League - Chicago Chapter
(JACL-Chicago)<br /> <br /> July 19th, 2016 <br /> Tuesday, 6:30pm – 8:00pm<br /> Presentation Location: <br /> Japanese American Service Committee (JASC) <br /> 4427 N. Clark Street <br /> Chicago, IL 60640<span class="text_exposed_show"><br /> <br /> Event and Parking are Free.<br /> <br /> Featured Panelists:<br /> Jackie Keiko Denofrio<br /> Laura Kina<br /> Erik Matsunaga<br /> Christine Munteanu <br /> <br /> RSVP to Ryan Yokota by calling or emailing at: <br /> 773-275-0097, ext. 222 or at ryokota@jasc-chicago.org</span></span> <br />
<a href="https://www.facebook.com/events/1545536045755602/">https://www.facebook.com/events/1545536045755602/</a><br />
<br /></div>
Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-80371425713395106512016-06-07T03:53:00.000-07:002016-07-18T14:26:12.949-07:00"Uchinanchu" at California Lutheran University June 10-Oct 1,2016<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Uchinanchu: The Art of Laura Kina</b></div>
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<a href="https://blogs.callutheran.edu/kwanfong/" target="_blank">Kwan Fong Gallery of Art and Culture</a></div>
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On view June 10–October 1, 2016<br />
Laura Kina Lecture: Thursday, Sept. 29, 2016 | 6 p.m. Overton Hall<br />
Artist’s Reception: Saturday, Oct. 1, 2016 | 6 p.m. </div>
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Link to campus map that shows where the lecture takes place (14a) and the gallery (14b):<br />
<a href="https://www.callutheran.edu/map/">https://www.callutheran.edu/map/</a></div>
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<i><br />Uchinanchu</i> is the term used by Okinawan immigrants and their descendants in Hawai’i to identify themselves as a distinct ethnic group. In this exhibit of moving autobiographical pieces, artist Laura Kina examines the <i>Uchinanchu</i> experience. Her patchwork and textile-based paintings feature deconstructed articles of clothing, fleeting moments and memories, specific events and time-honored cultural symbols.</div>
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Kina explains, <i>“My artwork focuses on themes of distance, belonging and cultural reclamation…. Taken together, the works are about islands of diaspora and explore themes of transnational family ties and heritage tourism, mixed-ness, ethnic pride and solidarity, military and colonial histories, and current geopolitical military/environment issues in Okinawa and Hawai’i.”</i></div>
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<b style="margin: 0px; padding: 0px;">Mailing Address</b><br />
60 West Olsen Road #3800<br />
Thousand Oaks, CA 91360</div>
<div style="background-color: white; color: #333333; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 1.5em; margin-bottom: 18px; padding: 0px;">
<b style="margin: 0px; padding: 0px;">Physical Address</b><br />
120 Memorial Parkway<br />
Thousand Oaks, CA 91360</div>
<div style="background-color: white; color: #333333; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 14px; line-height: 1.5em; margin-bottom: 18px; padding: 0px;">
<b style="margin: 0px; padding: 0px;">Email:</b> <a href="mailto:gallery@callutheran.edu" style="border-bottom-color: rgb(71, 150, 193); border-bottom-style: dotted; border-bottom-width: 1px; color: #4796c1; margin: 0px; padding: 0px; text-decoration: none;">gallery@callutheran.edu</a><br />
<b style="margin: 0px; padding: 0px;">Phone:</b> (805) 493-3316<br />
<b style="margin: 0px; padding: 0px;">Hours:</b> Monday – Saturday, 8 a.m. – 8 p.m.<br />
<b style="margin: 0px; padding: 0px;">Location:</b> Soiland Humanities Center (<a href="http://www.callutheran.edu/map/kwan-fong-gallery" style="border-bottom-color: rgb(71, 150, 193); border-bottom-style: dotted; border-bottom-width: 1px; color: #4796c1; margin: 0px; padding: 0px; text-decoration: none;">View on Campus Map</a>)</div>
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<b style="margin: 0px; padding: 0px;">Driving Directions:</b> <a href="https://www.google.com/maps/dir//34.2226289,-118.877926/@34.2220567,-118.8770275,18z" style="border-bottom-color: rgb(71, 150, 193); border-bottom-style: dotted; border-bottom-width: 1px; color: #4796c1; margin: 0px; padding: 0px; text-decoration: none;">View on Google Maps</a></div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-9262157882251048222016-06-07T03:30:00.000-07:002016-06-07T04:34:37.708-07:00Speaking on a panel June 14 - "Coming to Terms with Orientalism: forbidden terrain for artists?"<div dir="ltr" style="text-align: left;" trbidi="on">
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As part of artist Phyllis Bramson's show "Under the Pleasure Dome: A Survey, " I will be speaking on a panel: </div>
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<b>"Coming to Terms with Orientalism: forbidden terrain for artists?"</b></div>
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<span class="s1">Panelists:</span> Phyllis Bramson, moderator </div>
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Lisa Yun Lee, Director School of Art and Art History, University of Illinois Chicago</div>
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<span class="s2">Laura Kina artist and </span>Professor of Art, Media, and Design, <span class="s3">DePaul University</span></div>
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Lynne Warren, curator, Museum of Contemporary Art Chicago </div>
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Doug Stapleton, artist and Associate Curator of Art, Illinois State Museum Chicago Gallery</div>
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<b>June 14, TUESDAY 6 PM - 7:30 PM</b><br />Chicago Cultural Center<br />Cassidy Lecture Hall<br />78 E. Washington<br />Chicago, IL<br /><br />"Under the Pleasure Dome: A Survey" is on view June 4-Aug. 27, 2016</div>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-74430997512148156172016-02-14T10:19:00.001-08:002016-02-14T10:19:04.593-08:00Uchinanchu exhibition catalog now available - show opens Feb 27<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Download the online exhibition catalog for Laura Kina: Uchinanchu <a href="https://issuu.com/laurakina/docs/uchinanchu-pages-final-issuu" target="_blank">here</a>.</b></div>
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<b>Order a print copy <a href="http://www.blurb.com/bookstore/invited/6190422/cd079a067d9e03f2f616f1abf8fb4602c46510e7" target="_blank">here</a>.</b></div>
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Laura Kina: Uchinanchu opens Feb 27, 201 </h3>
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<b>W. Keith and Janet Kellogg University Art Gallery</b><br />California State Polytechnic University, Pomona<br />3801 W. Temple Ave. Pomona, CA 91768<br /> </div>
<div style="text-align: center;">
February 27 - April 23, 2016<br /> </div>
<div style="text-align: center;">
On view as part of <i>Transnational Lives in Motion: The Art of Laura Kina and Viêt Lê</i><br />Co-curated by Mary Yu Danico and Michele Cairella Fillmore<br /> </div>
<div style="text-align: center;">
Events:<br /><b>Opening Reception:</b> Sat., Feb. 27, 2016, 4-7pm<br /> </div>
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<b>Artists’ Symposium:</b> Thurs., Feb. 25,2016, 1-3pm<br />At Bronco Student Center, Ursa Minor </div>
<h4 style="text-align: center;">
<a href="https://www.facebook.com/events/1004980082892638/">https://www.facebook.com/events/1004980082892638/</a></h4>
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Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-6132030461159898802016-01-27T03:58:00.000-08:002016-01-27T03:58:03.265-08:00Speaking at the Okinawan Association of America Feb 26, 2016<div dir="ltr" style="text-align: left;" trbidi="on">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinl_Ajbmu0UvMt34XZRqH9yOo8gbcRQpHdZQuvMSkLr3FyQKelktWMNY3hY9umCne8SOddwZWvoHGeeiZUBwCYfUmuR9ufncXHFksNZI2cWLpp-qTF4InBfcGSTy3k2rwLO0NyzMapKvw/s1600/12552776_10153837060565610_8230896377769063232_n.jpg" imageanchor="1"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinl_Ajbmu0UvMt34XZRqH9yOo8gbcRQpHdZQuvMSkLr3FyQKelktWMNY3hY9umCne8SOddwZWvoHGeeiZUBwCYfUmuR9ufncXHFksNZI2cWLpp-qTF4InBfcGSTy3k2rwLO0NyzMapKvw/s400/12552776_10153837060565610_8230896377769063232_n.jpg" width="400" /></a><br />
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<a href="https://www.blogger.com/goog_1070558458"><br /></a>
<a href="https://www.facebook.com/events/1103372513015134/">https://www.facebook.com/events/1103372513015134/</a><br />
<br />
<span class="fsl">Friday, February 26th, 7:00 PM<br /> Free for OAA members, $5 for non-members<br /> <br />
Artist talk/presentation by LAURA KINA (professor of art, media, and
design at DePaul University in Chicago, Illinois and a professional
artist)<br /> <br /> ---<br /> <br /> On Friday, February 26th, 2016, 7:00 PM,
the Okinawa Association of America (OAA) in Gardena will host a
meet-and-greet with artist Laura Kina. She is a professor of art, media,
and design at DePaul University in Chicago, Illinois and a professional
artist. RSVP is required to attend this event.<br /> <br /> Kina will be
discussing her latest collection of paintings titled “Uchinanchu.” These
mixed-media creations incorporate Okinawan and Hawaiʻian t-shirts
donated by OAA members, resulting in quilt-lik<span class="text_exposed_show">e
designs that capture the "champuru" (Okinawan word for "mixed") nature
of Okinawan American identity specifically and Asian American identity
in general. The joint exhibition, “Transnational Lives in Motion: The
Art of Laura Kina and Việt Lê,” will be displayed at Cal Poly Pomona’s <a data-hovercard="/ajax/hovercard/page.php?id=709658122385425&extragetparams=%7B%22directed_target_id%22%3A1103372513015134%7D" href="https://www.facebook.com/kelloggartgallery/" id="js_w">Kellogg University Art Gallery</a> (2/27/16 - 4/23/16).<br /> <br />
She will also share photos and stories from a study abroad program that
she leads every year. Titled “Okinawa, Japan: Art, Politics, and
Economy,” the in-depth tour focuses on traditional and contemporary art
while exploring the political and historical struggles that have shaped
Okinawa.<br /> <br /> Admission is free for current OAA members and $5 for
non-members. The OAA is located at 16500 S. Western Ave., Gardena 90247.
RSVP is required: oaamensore@gmail.com or 310-532-1929.</span></span></div>
Anonymoushttp://www.blogger.com/profile/16595492095991746802noreply@blogger.com0tag:blogger.com,1999:blog-7522322031749269769.post-77540609429277827112016-01-14T14:36:00.001-08:002016-02-14T10:03:58.574-08:00Transnational Lives in Motion: The Art of Laura Kina and Viet Le<div dir="ltr" style="text-align: left;" trbidi="on">
EXHIBITION:<br />
THE W. KEITH & JANET KELLOGG UNIVERSITY ART GALLERY at<br />
CAL POLY POMONA<br />
(located in Building 35A, Bronco Student Center, across from University Library)<br />
- 2016 -<br />
<br />
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Transnational Lives in Motion: </h2>
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The Art of Laura Kina and Viet Le</h2>
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Laura Kina "<a href="https://issuu.com/laurakina/docs/uchinanchu-pages-final-issuu" target="_blank">Uchinanchu</a>" and Viet Le "lovebang!"<br />Sat. Feb. 27 – Sat. Apr. 23, 2016</h3>
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Opening Reception: Saturday, February 27, 4-7pm</h3>
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Artists’ Talks: Saturday, February 27, 4:45pm</h4>
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Artists' Symposium: Thursday, Feb. 25, 2016, 1-3pm at BSC, Ursa Minor</h4>
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<a href="https://www.facebook.com/events/1004980082892638/">https://www.facebook.com/events/1004980082892638/</a></h4>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibpgj0nhRxWLWsX_M9yqfPwIwyMxtZRR7sr8DKofmUzza_CeA30wAtTtqCyFbL1Uw5TmjzbhB0O2G8J06ujnOa35gp4ol3Nookfkuyq_wnK0zoWJaKkzsxtUrXPZJ4XqqrrX2jJyjmo9s/s1600/FACEBOOK2%255B1%255D.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="147" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibpgj0nhRxWLWsX_M9yqfPwIwyMxtZRR7sr8DKofmUzza_CeA30wAtTtqCyFbL1Uw5TmjzbhB0O2G8J06ujnOa35gp4ol3Nookfkuyq_wnK0zoWJaKkzsxtUrXPZJ4XqqrrX2jJyjmo9s/s400/FACEBOOK2%255B1%255D.png" width="400" /></a></div>
<br />
The Weglyn Endowed Chair for Multicultural Studies and the Kellogg University Art<br />
Gallery are proud to sponsor the exhibitions of Laura Kina and Viet Le. Their artworks<br />
highlight the nuanced nature of Transnational Lives in Motion among Asian American<br />
and Pacific Islander communities. Despite Asian Americans’ contributions to the U.S. for<br />
over three centuries, the perceptions of these communities are relegated to thinking of<br />
them as ‘perpetual foreigners’ or consigned to model minority stereotypes. The shifting<br />
global standing of Asian countries has changed the discourse to take into account that<br />
Asian Americans are neither here nor there, but everywhere, as they actively partake in<br />
transnational lives. Policies, wars, employment, and family reunifications have led to the<br />
movement of Asian lives across the globe, transcending nations, and blurring global<br />
boundaries as their lives are in motion. Asian Americans and Pacific Islanders today are<br />
able to stay connected to their homeland, and others are reconstructing their multiple<br />
identities in a nation that tries to contain them. To complicate the Asian American<br />
experience is to understand that these communities are complex and diverse, which<br />
adds to the continued challenges in the way we think about the layered identities and<br />
communities of Asian American and Pacific Islander peoples. Transnational Lives in<br />
Motion: The Art of Laura Kina and Viet Le examines the ways in which Asian American<br />
transnationals construct and reconstruct the fabric of their identities based on their<br />
location, space and time. From mixed-race identities with global connections, to<br />
communities who seek refuge in the U.S. from the legacies of wars, this exhibit<br />
highlights a few issues, which impact immigrant, refugee, and multi-racial ethnic<br />
communities living transnational lives.<br />
<br />
Laura Kina’s exhibition, named after her latest series, <a href="https://issuu.com/laurakina/docs/uchinanchu-pages-final-issuu" target="_blank">Uchinanchu</a>, and Viet Le’s trilogy<br />
lovebang! will be exhibited simultaneously, and for the first time, for each artist.<br />
Uchinanchu combines Asian and Pacific Islander pop-culture textiles, fabrics and T-shirts,<br />
formulated into colorful, large-scale tapestries, with traditional painting motifs<br />
addressing how the assimilation of multiple cultures fold meticulously into one personal,<br />
yet collective, journey. Viet Le's lovebang! Trilogy Premiere includes video installations<br />
lovebang!, eclipse, and the world premiere of heARTbreak! -- each, together, transect<br />
the topics of Asian pop-culture, hip-hop, sex, homo-eroticism and being transgender,<br />
with struggle and war, nostalgia and heartbreak.<br />
<br />
Co-curated by Mary Yu Danico and Michele Cairella Fillmore<br />
<br />
<u>GALLERY HOURS</u><br />
THE KELLOGG UNIVERSITY ART GALLERY<br />
Mon-Tues 4-8p<br />
Wed-Thurs 12-4p<br />
Sat-Sun 12-4p<br />
Fridays Closed.<br />
Friday viewing arrangements made by appointment only.<u></u><br />
<br />
<u>LOCATION INFO</u><br />
The Kellogg University Art Gallery is located at the<br />
Northside of the Bronco Student Center in Building 35A<br />
at California State Polytechnic University Pomona<br />
3801 West Temple Avenue, Pomona CA 91768<br />
<br />
<u>CONTACT INFORMATION</u><br />
Kellogg Gallery Direct: 909-869-4302<br />
Huntley Gallery Direct: 909-979-5556<br />
Email: <a href="mailto:artgalleries@cpp.edu">artgalleries@cpp.edu</a><br />
<br />
Websites:<br />
<a href="http://facebook.com/kelloggartgallery">facebook.com/kelloggartgallery</a><br />
<a href="http://facebook.com/thehuntleygallery">facebook.com/thehuntleygallery</a><br />
<br />
Galleries Curator: Michele Cairella Fillmore<br />
<br />
<br /></div>
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