Wednesday, March 7, 2012

Godzilla 101: The Birth of An Atomic Monster


Hey Chi-town friends, join us this next Tuesday 3/13/12 for a fun night of J-rock and Godzilla.  I serve on the board of the Japanese American Service Committee (one of the orgs putting this on) and Dr. Larry Mayo is a colleague of mine at DePaul University.

 
Godzilla 101: The Birth Of An Atomic Monster
Tuesday, March 13th, 9:00PM
$5 suggested - The Hungry Brain at 2319 W. Belmont, Chicago, IL (21+)


Together, Homeroom and the JASC host Dr. Larry Mayo, professor of anthropology at DePaul University, for a look at the radioactive origins of the world’s most caustic monster risen from the ashes of the U.S. devastation of Hiroshima, Nagasaki, and Bikini Atoll. Godzilla was at once comfort to a nation in mourning as well as confrontation with the dawning of the Atomic Age. Mayo will trace out the direct influence of the U.S. occupation of Japan, the H-bomb, and modernity as “foreign pathology” on the genesis of Godzilla, as well as the continuing mutation of our hero/horror in popular global culture. Is Godzilla friend or foe? Is he to be understood—OR DESTROYED!?

The night features special guests, slide-shows and screenings (including excerpts from Kim Jong-il’s “Godzilla” movie) plus, monstrous J-Rock curated by Laurel Fujisawa.

Brought to you by Fred Sasaki and presented in partnership with the Japanese American Service Committee 101 is an informal lecture and discussion series in which enthusiasts explore sub-culture and pop in front of a drinking crowd. It takes place on occasional Tuesdays at the Hungry Brain in Roscoe Village.

Larry Mayo has a doctorate in cultural anthropology from the University of California , Berkeley (although he refers to himself as a social anthropologist) and has taught at DePaul since 1988. He conducted research in Guam , focusing on the process of urbanization, the politics of ethnicity and sociocultural change. His teaching interests are mainly toward undergraduate courses that introduce students to fundamental concepts in anthropology, such as processes of social and cultural change, the process of ethnicity, the concept of “race,” social inequality, the concept of culture, and contemporary cultures in the Pacific Islands. He teaches courses that introduce the concept of culture to students through multiple idioms, such as cultural anthropology, food and culture, and cultures of the Pacific; and specific topical courses such as urban anthropology, urban ethnography, and urban ethnicity. His non-academic interests are jazz, sci-fi (movies and books) and monster movies (especially Godzilla).

To learn more about Homeroom and Fred Sasaki visit:
http://homeroomchicago.org/blogs/145-homeroom-s-fred-sasaki-makes-newcity-s-lit-50
 

To learn more about the JASC visit: http://www.jasc-chicago.org/
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Here's a link to become a fan of the Chicago Japanese American Historical Society!  Please join us.  
http://www.facebook.com/profile.php?id=1833885531&ref=name#/pages/Chicago-Japanese-American-Historical-Society/106546727080

Tuesday, March 6, 2012

Conversation with Bibiana Suárez March 11, 2012 HPAC

Snapshot from the Dec 11, 2012 opening of
Bibiana's Memoria (Memory) show at HPAC
A shout out to my colleague at DePaul University Bibiana Suárez. Bibiana took me under her wing when I was fresh newbie instructor straight out of grad school and she taught me how to be a teacher. Besides the nuts and bolts of teaching, one of the most important things I've learned (or tried to learn) from her is the art of balancing the demands of your own studio practice, teaching, University and community service, and family - think of seasons where you cycle in and out of and cultivate different aspects of your career and personal life. I always try to do everything at once and subsequently function on very little sleep and too much coffee. I'm so happy to see Bibiana's epic installation of 108 paintings at the Hyde Park Art Center in Chicago. For all her outer calm, I think she hasn't been sleeping much either. The show is up now through March 25th. Come down to HPAC on March 11th for a special conversation with the artist from 3-5pm.

Conversation with the Artist: Bibiana Suárez
Sunday, March 11, 3:00pm - 5:00pm

Join Bibiana Suárez, the artist who made the artwork in Memoria (Memory), as she explains her latest body of work in the context of her own history and her intention to address the current issues with the concept of latinidad (or the concept of a all-embracing latino identity in the United States) through her work.

This event is free and open to the public.


For more information go to 

http://www.hydeparkart.org/exhibitions/bibiana-su%C3%A1rez-emmemoria-memoryem.

RELATED EXHIBITION
Bibiana Suárez: Memoria (Memory)


Hyde Park Art Center
5020 S. Cornell Avenue
Chicago, IL 60615
Phone: 773-324-5520 


Indigo Calling: Shelly Jyoti's work featured in UK The Quilter magazine

My good friend and artistic collaborator Shelly Jyoti's Indigo series is featured in the Spring 2012 issue of The Quilter magazine in the UK. To watch a video about our 2009-2010 Indigo: Laura Kina and Shelly Jyoti exhibition visit YouTube "Indigo New Works"




Tuesday, February 21, 2012

Vote for "My Asian Americana" by March 1st

Video still from "My Americana" by Studio Revolt
"What's Your Story?" is a video challenge that is part of the White House Initiative on Asian Americans and Pacific Islanders. My good friends, Anida Yoeu Ali and Masahiro Sugano of Studio Revolt, submitted a video "My Asian Americana" which made it to the finalist round. I would encourage all of you out there to watch the videos and use these as tools to talk about and think about what the issues are in our Asian American and Pacific Islander communities. What can you relate to here and what's missing? Keep telling our stories and vote by March 1st for your favorite video:
http://www.whitehouse.gov/aapi/whats-your-story


About the film (from Studio Revolt):
Exiles and ex-pats unite as a community to present images of an Americana they left behind.  One half live outside the US by choice while the other half has been forcibly returned. All are Americans. Each raised with the memories, mannerisms, and a distinct cultural identity of growing up Asian in America. This piece is both a short film and a PSA to remind the public of untold stories about Asian Americans ordered into exile. These are the narratives of Cambodian Americans impacted by US deportation policies.  (For more info on deportation visit SpokenKosal.com)

Produced and Directed by Anida Yoeu ALI
Filmed and Edited by Masahiro SUGANO
Music Produced by Phanna NAM a.k.a. ‘Peanut’ of eKHlectic Records
Lyrics and Song by Sokha CHHIM a.k.a. ‘Dollah’
Coordinator: Thea SOM
Production Assistant: Phyrak KHUN
Cast (in order of appearance): Anida Yoeu ALI,  Thea SOM,  Kosal KHIEV, Phyrak KHUN, Sokha CHHIM, Ryan TONG, Vinh DAO and Vanna SANN

Thursday, February 9, 2012

Ways of Making: Painting

Visual Arts Gallery, Governors State University
Ways of Making: Painting
March 9-30, 2012

My 2010 painting "Palaka" from my ongoing Sugar series will be included in "Ways of Making: Painting" curated by Dolores Mercado, National Museum of Mexican Art.
Laura Kina "Palaka" 30x40 oil on canvas 2010
"Ways of Making: Painting" features work by 25 Women Artists in recognition of the 25th year of Women's History Month.  

Pilar Acevedo
Lynn Basa
Jennifer Cronin
Jessica Freudenberg-Segal
Esperanza Gama
Paula Henderson
Juliette Herwitt
Laura Kina
Vera Klement
Sarah Krepp
Judy Ledgerwood
K. A. Letts
Bernell Loeb
Sioban Lombardi
Rosanna Mark-Andreu
Renee McGinnis
Betty Ann Mocek
Elsa Muñoz
Martina Nehrling
Joyce Owens
Miriam Socoloff
Sue Sommers
Erin Waser
Maureen Warren
Kathleen Waterloo

CLOSING RECEPTION: Wednesday March 8 from 5:30-8:30 p.m. 


Look for us on Facebook https://www.facebook.com/pages/Visual-Arts-Gallery-Governors-State-University/164905230206611

For more information contact:
Jeff Stevenson
Gallery Director and University Lecturer
Visual Arts Gallery, Governors State University
1 University Parkway, University Park, IL 60484
708.534.4021
http://www.govst.edu/gallery

Thursday, January 26, 2012

Re-Seeing Religion: (De)Colonizing Images in Hawaii, Zimbabwe and Mexico

The Center for Interreligious Engagement Presents:

Re-Seeing Religion: (De)Colonizing Images in Hawaii, Zimbabwe and Mexico

Wednesday, February 15, 2012
6:30-8:00pm
DePaul Art Museum
935 W. Fullerton Ave.

Three panelists explore the creatively difficult visual interactions among indigenous peoples and their colonizers. Drawing on oral history and family photographs, Laura Kina’s SUGAR paintings recall obake ghost stories and feature Okinawan sugar cane plantation field laborers in Hawaii. Joseph Kinsella considers the often conscious indigenization of Christianity by Zimbabwean painters and sculptors. Kay Read, using a stark contrast between pre-conquest Aztec and post-Conquest Spanish images of the Feathered Serpent, exposes the long-lasting., but influential, colonialist legacy left us by the early clerics.

Participants
Laura Kina
- DePaul University, Associate Professor of Art, Media, and Design
Joseph Kinsella - DePaul University, Visiting Assistant Professor of Anthropology
Kay Read – DePaul University, Professor of Religious Studies (Panelist and Moderator)

Monday, December 5, 2011

Critical Mixed Race Studies 2012 call for papers deadline Dec 15, 2011

CALL FOR PAPERS DUE DECEMBER 15, 2011

Conference Description:
What is Critical Mixed Race Studies? will be hosted at DePaul University in Chicago, November 1-4, 2012. The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have fostered different approaches to the field, the 2012 CMRS conference is devoted to the general theme "What is Critical Mixed Race Studies?"


Proposals: We invite panels, roundtables, and papers that address the conference theme, although participants are also welcome to submit proposals that speak to their own specialized research, pedagogical, or community-based interests. The primary criterion for selection will be the quality of the proposal, not its connection to the conference theme. Proposals might consider the ways different disciplines approach or provide methodologies for critical analyses of mixed race issues. Proposals might also consider the following areas as related to Critical Mixed Race Studies:

Arts
Census/Racial Counting
Communications
Comparative & Transnational Studies
Commerce
Community Organizing
Critical Race Studies
Cultural Studies
Economics
Education
Global Migrations & Diaspora
Government/Civil Rights Compliance
Health Care
History
Identity
Geography
Indigenous Studies
Interdisciplinary Studies
K-12
Literary Studies
Mental Health
Politics
Prison/Industrial Complex
Psychology
Queer Studies
Religious Studies
Social Services
Sociology
Transracial Adoption
Urban Studies

To submit a proposal or for more information, please visit:
http://las.depaul.edu/cmrs

DEADLINE FOR ALL PROPOSALS: Dec. 15th, 2011
SELECTIONS WILL BE FINALIZED BY March 1st, 2012

All queries should be directed to cmrs@depaul.edu

Tuesday, November 22, 2011

NEA grant and UW book contract awarded for War Baby/Love Child







A National Endowment for the Arts - 2012 Art Works Grant has been awarded to a project for which I am the primary investigator (aka project organizer and co-curator/co-author):


DePaul University
Chicago, IL
$39,000
To support the exhibition, War Baby/Love Child: Mixed Race Asian American Art, and accompanying catalogue. Featuring art works by approximately 20 contemporary artists, the exhibition will investigate the construction of mixed race and mixed heritage, and Asian American identity in the United States.

http://www.nea.gov/grants/recent/12grants/12AAE.php?CAT=Art%20Works&DIS=Museum

The exhibition, co-curated by Laura Kina and Wei Ming Dariotis, is scheduled to open at the new DePaul University Art Museum April 26 - June 30, 2013, Chicago, IL and will then travel to the Wing Luke Museum of the Asian Pacific American Experience August 9, 2013 – January 19, 2014, Seattle, WA. 

Artists:
Mequitta Ahuja, Albert Chong, Serene Ford, Kip Fulbeck, Stuart Gaffney, Louie Gong, Jane Jin Kaisen, Lori Kay, Li-lan, Richard Lou, Samia Mirza, Chris Naka, Laurel Nakadate, Gina Osterloh, Adrienne Pao, Cristina Lei Rodriguez, Amanda Ross-Ho, Jenifer Wofford, Debra Yepa-Pappan.

University of Washington Press to publish War Baby/Love Child: Mixed Race Asian American Art:

A related publication of the same title, also co-edited by Laura Kina and Wei Ming Dariotis, has been awarded a book contract to be published by the University of Washington Press to coincide with the exhibition in 2013. This multi-author volume will feature a foreward by Kent A. Ono, a co-authored preface and introductory essay by the editors, 19 original artist interviews conducted by the editors, and original essays from Wei Ming Dariotis and the contributing authors: Camilla Fojas, Stuart Gaffney, Rudy Guevarra, Eleana Kim, Richard Lou, Margo Machida, Stephen Murphy-Shigematsu, Lori Pierce, Cathy Schlund-Vials, Ken Tanabe, and Wendy Thompson-Taiwo. Major funding for the publication has been awarded through the Elizabeth Firestone Graham Foundation, DePaul University and San Francisco State University.

Related programming will be organized in 2013-2014. Stay tuned!

Wednesday, October 26, 2011

Video from my artist talk at the Oregon Nikkei Endowment

Oregon Nikkei Endowment - Hapa panel discussion art and life
 August 4, 2011 University of Oregon in Portland
Panelists Dmae Roberts, Laura Kina, and Emily Momohara talk with Tim DuRoche on what it means to be hapa, their life and art practice, and the exhibit Kip Fulbeck: Part Asian, 100% Hapa at the Oregon Nikkei Endowment.

Part 1 of 4 - Introduction and artist talks by Dmae Roberts and Emily Hanako Momohara
http://www.youtube.com/user/OregonNikkei#p/a/u/2/KdV13UFZbMU

Part 2 of 4 end of Emily's talk and Laura Kina artist talk (minutes 1-12:45)
http://www.youtube.com/user/OregonNikkei#p/a/u/0/RSVWqqq2HXY

Part 3 of 4 Group panel discussion moderated by Tim DuRoche
http://www.youtube.com/user/OregonNikkei#p/a/u/1/ZF5r1S1Fihw

Part 4 of 4 End of the panel discussion and audience Q&A
http://www.youtube.com/user/OregonNikkei#p/a/u/0/oZlKSAFt21Q

For more details on this past event:
http://laurakina.blogspot.com/2011_07_01_archive.html

Saturday, October 1, 2011

Obake Halloween: A New Season of An Unseen World

Laura Kina "Issei" oil on canvas, 30x45 in., 2011
Akiko Masuda, from Akiko's Hawaiian Buddhist Bed & Breakfast, is hosting the 7th Annual Obake Night Local Style Halloween Ghost Stories featuring "Tita" Kathy Collins Pidgin storyteller extraordinaire Oct 28 and 29th in Wilea, HI. For more details visit:
I am honored that Akiko Masuda has asked if she could feature works from my Sugar series again on this year's event poster. Mahalo to Charlene Asato for her design.

Fresh off the easel and still yet to be shown, the October 2011 cover of Hawaii's The Paradise Post features my painting "Issei"of my great grandmother Makato Gibu as well as a cover story by Akiko Masuda - "Welcome to a World Of Unseen Spirits & An Obake Halloween," The Paradise Post: A Reader's Monthly, Vol. IV, No. 37, October 2011, cover and p. 2. http://theparadisepost.com/ 


Paradise Post Oct 2011 cover featuring a detail of Laura Kina's painting "Issei"
Paradise Post p. 2 cover story
Charlene Asato's poster design for the 7th Annual Obake Night. The poster features works from Laura Kina's "Sugar" series.

Saturday, September 3, 2011

Interview on Oregon's KBOO Community Radio


KBOO Community Radio Portland 90.7 FM Friday 9/2/11 

APA Compass' Andrew Yeh speaks with artist Laura Kina.

"Laura Kina, visual artist and scholar of Asian-American and Mixed-Race Studies"

Listen to the 15 min. interview: http://kboo.fm/node/30667