Friday, June 1, 2012



Along with seven other Asian American studies scholars, I was asked to respond to the Asian American Literary Review's April 2012 symposium "Asian American Portraits of Encounter Between Word and Image" at the Smithsonian's National Portrait Gallery in Washington, D.C. "This thrilling exchange of visual portraits and literary response will be captured in our Fall-Winter 2012 issue." In this forthcoming virtual round table, I focus on artist Shizu Saldamando's work and the responses of writers Garrett Hongo and Anna Kazumi Stahl.

The symposium features:
Featured visual portraits by artists Roger Shimomura, Satomi Shirai, Shizu Saldamando, CYJO, Hye Yeon Nam, Zhang Chun Hong, and Tam Tran.

Featured literary responses by Bao Phi, Garrett Hongo, Anna Kazumi Stahl, Marie Myung-Ok Lee, Marianne Villanueva, Kazim Ali, and David Henry Hwang; additional invitees include Molly Gaudry, David Mura, Roy Kamada, Brian Komei Dempster, and others to be announced soon.

Participating scholars include Laura Kina, Alexandra Chang, Joseph Jeon, Susette Min, Floyd Cheung, Vincent Pham, Shilpa Davé, and Douglas Ishii.

Pre-order your copy of the Fall-Winter 2012 Issue of the Asian American Literary Review with a 2012 subscription:
http://aalrmag.org/

Tuesday, May 22, 2012

JASC: Living Our Culture June 7th spring benefit

Watch a video from this event:
http://www.youtube.com/watch?v=9UhQMPOgfMI&feature=youtu.be


I'm  currently serving on the board of the Japanese American Service Committee (JASC). Please consider attending our June 7, 2012 spring benefit. I'm donating an original painting "Flower for your Heart" (see below) to the silent auction and I'll be showing two new paintings in a special one night group exhibition.
Laura Kina "Flowers for your Heart" Acrylic and mixed media on paper, 30 x 30 in. (framed 32 x 32 in), 2003
This event is open to the public. To RSVP and preview the silent auction art donations visit:
http://www.jasc-chicago.org/loc12/
 



Living Our Culture: A celebration of Japanese American art and culture
to benefit
the Japanese American Service Committee
June 7th 2012
6:00 – 9:00 p.m.
Greenhouse Loft – 2545 West Diversey Avenue, Chicago, IL
Details: Asian-inspired appetizers and cocktails, and an art show and auction featuring the work of established and emerging Japanese American artists

The new Japanese American Service Committee (JASC) spring event, Living Our Culture, is just a few short weeks away.  This is an exciting new event for our organization and I sincerely hope you’ll be able to join us for a reception, exhibition and silent auction on the evening of Thursday, June 7th at the Greenhouse Loft at 2545 West Diversey Avenue – recently opened as among the premiere LEED-certified event venues in the country, with an 8,000 foot organic sky garden that will be open for our event, weather-permitting! 

We have an extraordinarily talented, well-regarded and diverse group of artists who will be showing work of all kinds on that evening.  Our list of featured artists includes Irene Suyeoka, George Suyeoka, Mayumi Lake, Michiko Itatani, Lisa Nishi, Michio Iwao, Amy Lee Segami, Tony Fitzpatrick, Laura Kina, Michael Tanimura and David Tanimura. 

Thanks to staff and our group of volunteers, we have an incredible list of auction items that go far beyond art – including a one-week stay in Hawaii, a weekend at a Michigan lakehouse, gift certificates to some of Chicago’s best restaurants (including Tru and NoMi) and a variety of special packages for cultural events and experiences throughout Chicago. 

The JASC has never planned an event quite like this – between the incredible space, the innovative Asian-inspired cuisine, great wine and an exciting auction – there will be something for everyone. The event won't be complete without having you there! So please register to attend! http://www.jasc-chicago.org/loc12/

About the JASC:
The Japanese American Service Committee (JASC) was founded in 1946 as the Chicago Resettlers Committee with a mission to preserve and raise awareness of Japanese American culture and heritage and to promote the physical and spiritual well-being of Japanese Americans and the greater multicultural community in the Midwest. The Legacy Center and cultural programs at the JASC seek to highlight the rich heritage of Japanese Americans in Chicago while highlighting their contributions to the cultural vitality of our society.  The JASC’s programs include The Legacy Center Collection, an archival collection of national significance that paints a powerful and complex portrait of the community’s life before, during and after the period of World War internment.  The organization additionally operates, independently and in concert with an impressive roster of partner agencies, a series of exhibits and programs that explore history, open dialogues, advance tolerance and celebrate diversity.

Monday, April 30, 2012

Coming Jan. 2013 through UW Press - War Baby/Love Child: Mixed Race Asian American Art

Wei Ming Dariotis and I have been working on this project since 2008 and it's almost here! Get your pre-orders in for this exciting new book. Foreword by Kent Ono. Artists and authors included in the book: Rudy Guevarra Jr., Lori Kay, Gina Osterloh, Jenifer Wofford, Stephen Murphy-Shigematsu, Chris Naka, Laurel Nakadate, Eleana J. Kim, Jane Jin Kaisen, Cathy Schlund-Vials, Serene Ford, Lori Pierce, Margo Machida, Adrienne Pao, Li-lan, Kip Fulbeck, Amanda Ross-Ho, Debra Yepa-Pappan, Louie Gong, Wendy Thompson Taiwo, Mequitta Ahuja, Albert Chong, Richard A. Lou, Cristina Lei Rodriguez, Camilla Fojas, Stuart Gaffney, and Ken Tanabe.

War Baby / Love Child

Mixed Race Asian American Art

Edited by Laura Kina and Wei Ming Dariotis

  • $45.00 paperback (9780295992259) Add to Cart
  • hardcover not available
  • Published: January 2013
  • Subject Listing: Contemporary Art, Asian American Studies
  • Bibliographic information: 304 pp., 63 illus., 44 in color, maps, 7 x 10 in.
  • Territorial rights: World
  • Contents

War Baby / Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai'i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of "optional identity," this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures.

Laura Kina is associate professor of art, media, and design at DePaul University. Wei Ming Dariotis is assistant professor of Asian American studies at San Francisco State University.

"War Baby / Love Child is an interesting, original, and innovative project that expands the field of Asian American studies by using visual art as a point of entry and analysis for the discipline." - Mark Johnson, editor of Asian American Art: A History, 1850-1970

"One of the strengths of this original volume is its holistic combination of interviews with premier fine artists along with the textual, historical, and scholarly context provided by established and emerging scholars in Asian American Studies." - Nitasha Sharma, author of Hip Hop Desis: South Americans, Blackness, and Global Race Consciousness
Reviews


To place an order visit:

http://www.washington.edu/uwpress/search/books/KINWAR.html

Monday, April 23, 2012

4/24/12 Video Screening and Artist Talk: Valerie Soe


Video Screening and Artist Talk: Valerie Soe

Tuesday, April 24, 2012 5-6:30pm

The Chinese Gardens and The Oak Park Story

Two film screenings and an artist talk by acclaimed experimental video artist Valerie Soe

DePaul University Art Museum
935 W. Fullerton
Chicago, IL 


Sponsored by Global Asian Studies and the Department of History of Art and Architecture
This event is FREE and open to the public



Valerie Soe is a San Francisco writer, educator, and artist whose experimental videos and installations, which look at gender and cultural identity and anti-racism struggles, have exhibited at venues such as the J. Paul Getty Museum in Los Angeles the Museum of Modern Art and the New Museum in New York City, and at film festivals worldwide. Her most recent award-winning documentary, The Oak Park Story (2010) has exhibited widely across the country. Soe is also the author of the blog beyondasiaphilia.com, which looks at Asian American art, film, culture, and activism. beyondasiaphilia is the recipient of a 2012 Art Writers’ Grant from the Creative Capital/Andy Warhol Foundation, one of only seven such grants awarded in the U.S. She is an Assistant Professor in the Asian American Studies Department at San Francisco State University, where she teaches film history and production, cultural criticism, art and social practice, and media
studies.


Chinese Gardens (17 min, 2012)

The Chinese Gardens – Racism, resistance, and the hidden history of Chinese Americans
The Chinese Gardens looks at the lost Chinese community in Port Townsend, Washington,
examining anti-Chinese violence—lynchings, beatings, and murders—in the Pacific Northwest in the late 1800s and drawing connections between past and present race relations in the U.S.
http://www.thechinesegardens.com/

The Oak Park Story (22 min, 2010)
The Oak Park Story
The Oak Park Story (2010, 22 min.) is a documentary film that recounts the journeys of three families – from Cambodia, Mexico, and California – who band together at a run-down slum in Oakland CA and win a landmark settlement against their landlord.
The film is directed, edited, co-produced and co-written by Valerie Soe and co-produced and co-written by Russell Jeung, both of whom are professors of Asian American Studies at San Francisco State University.
http://www.theoakparkstory.com/



Thursday, April 12, 2012

Call for Papers - Journal of Critical Mixed Race Studies



Call for Papers - Inaugural Issue: Journal of Critical Mixed Race Studies
“Emerging Paradigms in Critical Mixed Race Studies”

The Journal of Critical Mixed Race Studies (JCMRS) is a peer-reviewed online journal dedicated to Critical Mixed Race Studies (CMRS). Launched in 2011, it is the first academic journal explicitly focused on Critical Mixed Race Studies. Sponsored by UC Santa Barbara's Sociology Department, JCMRS is hosted on the eScholarship Repository, which is part of the eScholarship initiative of the California Digital Library. JCMRS functions as an open-access forum for critical mixed race studies scholars and will be available without cost to anyone with access to the Internet.

JCMRS is transracial, transdisciplinary, and transnational in focus and emphasizes the critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions and constructions of race. JCMRS emphasizes the constructed nature and thus mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. JCMRS addresses local and global systemic injustices rooted in systems of racialization.

Some questions to consider:
·       Why Critical Mixed Race Studies rather than mixed ethnicity or mixed heritage?
·       How does CMRS transform Ethnic Studies?
·       What does CMRS mean in transnational contexts?
·       What are some ways that CMRS can be institutionalized?
·       How do foundational articles or books in CMRS resonate today?
·       How does CMRS relate to the Multiracial Movement or social activism around mixed heritage identities?
·       How does post-racial discourse factor into the development of CMRS?
·       How is CMRS transdisciplinary or interdisciplinary?

Papers that were presented at the Inaugural Critical Mixed Race Studies Conference in 2010 are invited for revision and submission. JCMRS encourages both established and emerging scholars to submit articles throughout the year. Articles will be considered for publication on the basis of their contributions to important and current discussions in mixed race studies, and their scholarly competence and originality.

Submission Deadline: July 1, 2012

Submission Guidelines: Article manuscripts should range between 15-30 double-spaced pages, Times New Roman 12-point font, including notes and works cited, must follow the Chicago Manual of Style, and include an abstract (not to exceed 250 words).

Visit our website for complete submission guidelines and to submit an article: http://escholarship.org/uc/ucsb_soc_jcmrs

Please address all inquiries to
: socjcmrs@soc.ucsb.edu


Founding Editors G. Reginald Daniel, Wei Ming Dariotis, Laura Kina, Maria P. P. Root, Paul Spickard


Sunday, March 25, 2012

Marketing to the "Melting Wok": How to Speak to Asians and Catch the “Fastest Growing Racial Group” in the U.S.


March 24, 2012 by Laura Kina

Marketing to the Melting Wok: How to Speak to Asians and Catch the “Fastest Growing Racial Group” in the U.S.


A Book Review (of sorts)


Asian spotting is a hard habit to kick. I counted 3 other Asian Americans at my 20-year high school reunion this past summer in my rural Pacific Northwest hometown of Poulsbo, WA (think Snow Falling on Cedars but with Norwegians). Psychologists and sociologists have labeled this tendency to be drawn to others who look like you as the “Own-Race Effect.” As someone who is also Asian/White, I feel like this effect is exacerbated. I’m an Associate Professor of Art, Media, & Design at DePaul University in Chicago and I count 3 other Asian/White faculty in my College of Liberal Arts & Social Science. I’m also piqued to receive information about “my people” so when the U.S. Census Bureau announced on March 21, 2012that in the 2010 Census, “Asians grew faster than any other group over the last decade” I paid attention. With a 45.6% increase, we make up 5.6% of the population or 17.3 million now and of that group, 2.6 million identified as more than one race.

I wonder how being framed as, “the fastest growing population” will translate into representation in positions of leadership and power? Just because there are more of us, will anything really change or will we continue to be seen as “model minorities” or invisible and statistically insignificant? Will we see more Asian C-level executives? Could there be an American President of Asian descent one day and when will marketers ever stop lumping us with Whites?

l do have to admit that when I’m looking for a good laugh, I troll through Christian Lander’s Stuff White People Like blog and the opening Ivy League contour line drawing in his 2010 Whiter Shades of Pale: Coast to Coast,From Seattle’s Sweaters To Maine’s Mircrobrews of a sporty young woman with a Harvard sweatshirt, baseball cap, and Democratic Party gear looks suspiciously like a certain member of my family who still Obeys her Obama 08 t-shirts. But I know we really aren’t the same. Like you know that when you mess up, a White person might just think, “oops, I made a mistake. I’ll do better next time.” But for us Asians, messing up brings shame to entire family! Filial piety lives on for better and for worse. I know that as the number one daughter in my family (and yes, I said daughter not son) my actions, even as an adult, supposedly set an example for my younger brothers and for the next generation, even those not even born. Cultural euphemisms such as “the squeaky wheel gets the oil” vs. “the nail that sticks up gets hammered” provide generalizations about Asian belief systems that may or may not still be true for some of us but we can see differences in areas that we can actually measure such as our consumption. In the category of food, for example, did you know that in a 2007 CES study Asians accounted for 8.3% of expenditures on fish and seafood yet made up only 3.5% of CES households (Kumaki, 170)? Surely you don’t see most other racial groups buying rice in 25 lb bags and prominently displaying an electric rice cooker on their kitchen counter on a regular basis? As an artist and an Asian American studies scholar I’ve thought a lot about representation but not as much about Marketing with a capital M. Criticizing blatantly racist media images or complaining about lack of representation is one thing but what if I really want to reach “my people”? Rice may be rice but Asian Americans come from such a myriad of different cultures that finding a common ground can seem to be daunting. How do you even begin speaking to a pan-Asian American audience? Start by "speaking English," Robert Kumaki suggests, and look for the “sweet spot [in the Asian American market] of family, finance, technology or education.”

His 2010 co-authored book with Jack Moran, Many Culture One Market: A Guide To Understanding Opportunities In The Asian Pacific American Market, has some golden tips to cracking this “Melting Wok” market, which the authors consider “low hanging-fruit” for marketers. For the sake of being as “inclusive as possible” they chose to lump Native Hawaiians and Pacific Islanders into the mix despite what they concede as the “dramatically different socio-economic experiences from the rest of Asian Americans.” Hence the term “APA” (Asian Pacific American) is used in the book and this review even though it is no longer used in the U.S. Census nor in activist and academic contexts in Asian American studies except in a historical sense. Remember that this is a marketing book so there is a constant push and pull between defining a targeted niche market and redefining what really is mainstream. Kumaki and Moran make a case that while some think of the APA market as only 4% (this was prior to the new 2010 stats) that it leans more towards 8% and even as high as 20% of the U.S. market. The book is written in a user-friendly form with a personal voice that draws upon the authors’ years of experience in senior research and management positions and their personal and professional expertise in ethnographic marketing. Their broad generalizations about the APA market are backed up with lists, bullet points and statistics. Each chapter has a series of overt framing questions and end of the chapter summaries, all of which made this topic accessible to me as a non-marketing expert. I could easily see Many Cultures One Market being used in a classroom, corporate or non-profit settings to facilitate group discussions about how to reach APA and cross-over audiences in the U.S..  Being a long time Chicagoan, I really appreciate the regional examples of Asian American marketing such as Chicago’s Chinese restaurants reflecting the latest trends in Asian cuisine and hip interior design rather than staying stuck in a time warp (all I have to say is everyone want to be the next Tony Hu). You don’t have to go to LA or NY to get hand-pulled noodles (go to Hing Kee) and Shanghai soup dumplings anymore and Peking duck chopped up table-side is available nightly at Chicago’s Sun Wah BBQ restaurant.

One doesn’t need to be a big corporation or even officially in marketing either to ask questions about reaching the Asian American market. For example, I found myself asking “marketing questions” for my own practice as an artist, academic, and non-profit volunteer: How can I find a market outside of my ethnic group or racial experience to be interested in my paintings that are about specific Asian ethnic groups and locations? How can I get corporate sponsors to donate to the Japanese American Service Committee "Living our Culture: A Celebration of Japanese American Art and Culture" benefit we are organizing on June 7th (seriously, please feel free to contact Carol Yoshina at the JASC if you want to be a sponsor or donate goods or services)?  How do reach a broader audience to be part of the ethnic/racially specific non-profit orgs I am involved with? How can I get a wider range of students to enroll in our Global Asian Studies program? How can my University do a better job recruiting and retaining Asian faculty, staff, and students? You get the idea.

Many Cultures One Market starts by dispelling some common myths about multicultural marketing such as the perception that the only way to reach Asians is to run targeted Asian language ads in Asian-specific media. They caution that this can too often lead to mis-translation and cite a well-known example from years ago when Pepsi tried to translate “Come alive with Pepsi.” “The result? ‘Pepsi-Cola brings your ancestors back from the dead.’ That’s one heck of a product benefit.” It turns out we are consuming mainstream media just like everyone else albeit apparently we watch less TV and are more inclined to get our news online and open direct mail.

Besides our penchant for seafood and speaking English, the book characterizes APA’s drive towards assimilation as going up the “APA Escalator.” Instead of inscrutable perpetual foreigners, Many Cultures One Market provides cultural snapshots of APAs as interconnected global tribes that can be characterized as tech-savvy early adapters, family and community oriented, focused on education, foodies, increasingly multi-racial and multi-ethnic, entrepreneurial, and over-represented in the sciences, engineering, finance and medicine. Before you dismiss this as a little too close to the old model minority stereotype, they do aggregate this population and point to more complex Yellow Peril history in which the American “political and legal systems have constructed barrier after barrier to the creation of an APA community.” I’ll be a spoiler here and go straight to what I think the point of this book is as outlined in chapter XI. “One Market: A New Paradigm to Make It Simple”:

We feel there are three basic ideas that can help you define, both quantitatively and qualitatively, and then reach the APA marketplace:

·      There is an identity to which all APA groups can relate. It transcends language, country of origin, and even the number of generations in the U.S.
·      Derived from this identity, there are commonalities that exist amongst almost all APAs – commonalities that don’t necessarily exist among non-APAs.
·      There is a market that can be aggregated under this identity.

To help you identify and then connect with the marketing opportunity, we identify three major drives – one is culturally based, one is physically based, and one is language-based.

Simply put, you have to understand:

The Americanization Dynamic – the cultural driver
The Own-Race Effect – the physical driver
English as a Common Denominator – the language driver


I was pleasantly surprised to see a chapter devoted to “Hapas” and that the authors gave serious attention to the non-APA crossover market, which includes parents of oversees adoptees. Vincent Cheng’s Inauthentic: The Anxiety Over Culture and Identity (Rutgers University Press, 2004) fleshes out and critiques this market of parents that are enrolling their kids in martial arts and Asian language classes in droves and having their kids look for their roots in fan dance and Disney’s Mulan. The main practical take away for me was in their closing chapter XVI. “APA Specialists” about ROI on sponsors participating in APA event marketing and the checklist for “Criteria for Inclusion” that they offer if you should decide to use this avenue for marketing. From my 20 years of participating in Chicago’s pan-Asian arts and culture communities, I have seen this very simple marketing strategy successfully at work. If you place an ad for your restaurant in our film festival brochure, we will go there. If you table at our advocacy event, we will consider your company or product friendly to APAs. If you e-mail us personally, chances are we’ll write you back. If you send us direct mailers, we may even open up your letter and may not throw it away. So if you think you have a product or company that fits the “sweet spots” of food, family, finance, technology or education, consider reaching out to APA audiences and grab Many Cultures One Market as a handy guide to get you started.

Wednesday, March 7, 2012

Godzilla 101: The Birth of An Atomic Monster


Hey Chi-town friends, join us this next Tuesday 3/13/12 for a fun night of J-rock and Godzilla.  I serve on the board of the Japanese American Service Committee (one of the orgs putting this on) and Dr. Larry Mayo is a colleague of mine at DePaul University.

 
Godzilla 101: The Birth Of An Atomic Monster
Tuesday, March 13th, 9:00PM
$5 suggested - The Hungry Brain at 2319 W. Belmont, Chicago, IL (21+)


Together, Homeroom and the JASC host Dr. Larry Mayo, professor of anthropology at DePaul University, for a look at the radioactive origins of the world’s most caustic monster risen from the ashes of the U.S. devastation of Hiroshima, Nagasaki, and Bikini Atoll. Godzilla was at once comfort to a nation in mourning as well as confrontation with the dawning of the Atomic Age. Mayo will trace out the direct influence of the U.S. occupation of Japan, the H-bomb, and modernity as “foreign pathology” on the genesis of Godzilla, as well as the continuing mutation of our hero/horror in popular global culture. Is Godzilla friend or foe? Is he to be understood—OR DESTROYED!?

The night features special guests, slide-shows and screenings (including excerpts from Kim Jong-il’s “Godzilla” movie) plus, monstrous J-Rock curated by Laurel Fujisawa.

Brought to you by Fred Sasaki and presented in partnership with the Japanese American Service Committee 101 is an informal lecture and discussion series in which enthusiasts explore sub-culture and pop in front of a drinking crowd. It takes place on occasional Tuesdays at the Hungry Brain in Roscoe Village.

Larry Mayo has a doctorate in cultural anthropology from the University of California , Berkeley (although he refers to himself as a social anthropologist) and has taught at DePaul since 1988. He conducted research in Guam , focusing on the process of urbanization, the politics of ethnicity and sociocultural change. His teaching interests are mainly toward undergraduate courses that introduce students to fundamental concepts in anthropology, such as processes of social and cultural change, the process of ethnicity, the concept of “race,” social inequality, the concept of culture, and contemporary cultures in the Pacific Islands. He teaches courses that introduce the concept of culture to students through multiple idioms, such as cultural anthropology, food and culture, and cultures of the Pacific; and specific topical courses such as urban anthropology, urban ethnography, and urban ethnicity. His non-academic interests are jazz, sci-fi (movies and books) and monster movies (especially Godzilla).

To learn more about Homeroom and Fred Sasaki visit:
http://homeroomchicago.org/blogs/145-homeroom-s-fred-sasaki-makes-newcity-s-lit-50
 

To learn more about the JASC visit: http://www.jasc-chicago.org/
--
Here's a link to become a fan of the Chicago Japanese American Historical Society!  Please join us.  
http://www.facebook.com/profile.php?id=1833885531&ref=name#/pages/Chicago-Japanese-American-Historical-Society/106546727080

Tuesday, March 6, 2012

Conversation with Bibiana Suárez March 11, 2012 HPAC

Snapshot from the Dec 11, 2012 opening of
Bibiana's Memoria (Memory) show at HPAC
A shout out to my colleague at DePaul University Bibiana Suárez. Bibiana took me under her wing when I was fresh newbie instructor straight out of grad school and she taught me how to be a teacher. Besides the nuts and bolts of teaching, one of the most important things I've learned (or tried to learn) from her is the art of balancing the demands of your own studio practice, teaching, University and community service, and family - think of seasons where you cycle in and out of and cultivate different aspects of your career and personal life. I always try to do everything at once and subsequently function on very little sleep and too much coffee. I'm so happy to see Bibiana's epic installation of 108 paintings at the Hyde Park Art Center in Chicago. For all her outer calm, I think she hasn't been sleeping much either. The show is up now through March 25th. Come down to HPAC on March 11th for a special conversation with the artist from 3-5pm.

Conversation with the Artist: Bibiana Suárez
Sunday, March 11, 3:00pm - 5:00pm

Join Bibiana Suárez, the artist who made the artwork in Memoria (Memory), as she explains her latest body of work in the context of her own history and her intention to address the current issues with the concept of latinidad (or the concept of a all-embracing latino identity in the United States) through her work.

This event is free and open to the public.


For more information go to 

http://www.hydeparkart.org/exhibitions/bibiana-su%C3%A1rez-emmemoria-memoryem.

RELATED EXHIBITION
Bibiana Suárez: Memoria (Memory)


Hyde Park Art Center
5020 S. Cornell Avenue
Chicago, IL 60615
Phone: 773-324-5520 


Indigo Calling: Shelly Jyoti's work featured in UK The Quilter magazine

My good friend and artistic collaborator Shelly Jyoti's Indigo series is featured in the Spring 2012 issue of The Quilter magazine in the UK. To watch a video about our 2009-2010 Indigo: Laura Kina and Shelly Jyoti exhibition visit YouTube "Indigo New Works"




Tuesday, February 21, 2012

Vote for "My Asian Americana" by March 1st

Video still from "My Americana" by Studio Revolt
"What's Your Story?" is a video challenge that is part of the White House Initiative on Asian Americans and Pacific Islanders. My good friends, Anida Yoeu Ali and Masahiro Sugano of Studio Revolt, submitted a video "My Asian Americana" which made it to the finalist round. I would encourage all of you out there to watch the videos and use these as tools to talk about and think about what the issues are in our Asian American and Pacific Islander communities. What can you relate to here and what's missing? Keep telling our stories and vote by March 1st for your favorite video:
http://www.whitehouse.gov/aapi/whats-your-story


About the film (from Studio Revolt):
Exiles and ex-pats unite as a community to present images of an Americana they left behind.  One half live outside the US by choice while the other half has been forcibly returned. All are Americans. Each raised with the memories, mannerisms, and a distinct cultural identity of growing up Asian in America. This piece is both a short film and a PSA to remind the public of untold stories about Asian Americans ordered into exile. These are the narratives of Cambodian Americans impacted by US deportation policies.  (For more info on deportation visit SpokenKosal.com)

Produced and Directed by Anida Yoeu ALI
Filmed and Edited by Masahiro SUGANO
Music Produced by Phanna NAM a.k.a. ‘Peanut’ of eKHlectic Records
Lyrics and Song by Sokha CHHIM a.k.a. ‘Dollah’
Coordinator: Thea SOM
Production Assistant: Phyrak KHUN
Cast (in order of appearance): Anida Yoeu ALI,  Thea SOM,  Kosal KHIEV, Phyrak KHUN, Sokha CHHIM, Ryan TONG, Vinh DAO and Vanna SANN

Thursday, February 9, 2012

Ways of Making: Painting

Visual Arts Gallery, Governors State University
Ways of Making: Painting
March 9-30, 2012

My 2010 painting "Palaka" from my ongoing Sugar series will be included in "Ways of Making: Painting" curated by Dolores Mercado, National Museum of Mexican Art.
Laura Kina "Palaka" 30x40 oil on canvas 2010
"Ways of Making: Painting" features work by 25 Women Artists in recognition of the 25th year of Women's History Month.  

Pilar Acevedo
Lynn Basa
Jennifer Cronin
Jessica Freudenberg-Segal
Esperanza Gama
Paula Henderson
Juliette Herwitt
Laura Kina
Vera Klement
Sarah Krepp
Judy Ledgerwood
K. A. Letts
Bernell Loeb
Sioban Lombardi
Rosanna Mark-Andreu
Renee McGinnis
Betty Ann Mocek
Elsa Muñoz
Martina Nehrling
Joyce Owens
Miriam Socoloff
Sue Sommers
Erin Waser
Maureen Warren
Kathleen Waterloo

CLOSING RECEPTION: Wednesday March 8 from 5:30-8:30 p.m. 


Look for us on Facebook https://www.facebook.com/pages/Visual-Arts-Gallery-Governors-State-University/164905230206611

For more information contact:
Jeff Stevenson
Gallery Director and University Lecturer
Visual Arts Gallery, Governors State University
1 University Parkway, University Park, IL 60484
708.534.4021
http://www.govst.edu/gallery